'SMiLE' is perhaps the Beach Boys' most legendary album. It was recorded in 1966 and 1967 but only saw a formal release in 2011. That's a long time to wait for what was said to be Brian Wilson's masterpiece.
I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.
I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record.
If I'd just been interested in record sales, I would have taken one of the deals I was offered after 'Soapstar Superstar,' made a quick covers album and probably had some success for five minutes. I decided that wasn't for me.
If crime is going down, you shouldn't be increasing resources for crime prevention. Or you should be taking note of what has worked and concentrate the crime-prevention methods on policies that have a track record of success.
I am a hero worshiper. I love the number one tennis player. I love the number one baseball player. I want to see those records broken.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
I really don't have any plan to leave Facebook. I put it so many times on the record, and I just don't get what to do to say it as clear as possible: I'm staying in Facebook; I really love my job.
I'm not exactly sure how many kids I have, but yes, I do miss them officially, for the record. In case any of them are listening, I love you.
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
I find the songs I want to record by listening to as much music as I can. 'When I hear things I really like, I ask the writers to send me a tape of everything they've ever written.
That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.
I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
I never expected to record again. I knew I had done everything I ever wanted to do. I was satisfied. But... all the time I'm watching the country music horizon. And I'm sayin' 'Lord, is there anybody gonna come?'
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
I don't really like meetings, I like recording and performing music. I need to set myself up for when the time does come that I need better distribution or just a bigger team behind me.
People ask me all the time which I would prefer doing more, but I honestly can't say. When I'm filming, I'm like, 'No, this is my favorite,' and when I'm writing music and recording and performing, it's like, 'This is definitely it.'
When I was growing up in the early '70s and really getting into music, waiting outside the record store for that 45, waiting for a single from The Dead, The Clash, David Bowie, or T-Rex or something to be there. There was something about that that wa...
I didn't grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.
Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.
