The events of the day's march are now becoming so dreary and dispiriting that one longs to forget them when we camp; it is an effort even to record them in a diary.
I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else's entertainment, not mine.
I was burned out. I think I was just exhausted. It was a very intense five years. We didn't stop. It was constant touring, constant writing, recording.
To be honest, I don't want No. 1's anymore. Now, don't get me wrong, I wouldn't mind the odd few, but I'd also like a record going in at eight and staying around.
Tweets? That stuff kills conversation. And people taking pictures with their phone or recording you, sometimes surreptitiously, is creepy. They come up and just start talking to you, and you can see the red light on their phone.
Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records.
I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy.
Succes is really nothing more than the record of failure. To be successful means you must be willing to fail more than anyone else.
If you're looking for a deep album or you're looking for me to talk about past situations, it's not even about that. It's just 14 hot records that are gonna make you dance.
We've gotten through a lot of tough times, and we're going to keep working to make them better. I wish the record was better.
My allegiance was always to the act. I wanted them to be happy. I wasn't owned by a magazine or a record label. And I was a very naughty boy to boot!
I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.
I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about.
We expect to keep our writing sessions going until late spring, then to play some new material in a few secret club dates. The record will likely take a long time and may not surface until 1999!
The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
It's nice to be in a creative world that's kind of isolated, but you can get led astray down some pathway while you're recording that you might not like later. And there's a lot of time to get in your own head and stay there.
I feel like I am a celebrity for no reason, like people are resentful I didn't have to play bars for 10 years to get a record deal.
After my mother died, I found, a little book of hers which recorded everything I had ever done, how I had done it, and how proud she was of her son Conrad.
The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.
There are such beings as vampires, some of us have evidence that they exist. Even had we not the proof of our own unhappy experience, the teachings and the records of the past give proof enough for sane peoples.
I believe that anyone can conquer fear by doing the things he fears to do, provided he keeps doing them until he gets a record of successful experience behind him.
