I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
Every word Martone sets down, finally, a choice that limits the universe, their trail across the page a fossil record of some life's life-story.
Had records so stellar, they had to lock their resumes in a drawer at night, so the golden light streaming from the pages wouldn't keep them awake.
... people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.
Just for the record, I have come to fear all of your ideas in advance, simply from having endured enough of them.
Here are the shadows left behind by a thousand moments, a thousand moods, of needs traced here on the wall by men who are gone. Here is the record of their being here.
None of us can undo what we've done, or relive a life already recorded. But, ... there is no such thing as "too late" in life.
Life is never against you because you are the one who is creating it.
If I go away, I take a little picture of my son. It's in a frame with a speaker, and he recorded a birthday message for me when he was nine or 10. I can't listen to it without filling up.
I respect the people who buy my records and come to my concerts. It's only fair that I always try to give them the very best that's in me. After all, I need them more than they need me.
President Obama has a strong record of doing what is best for America and Florida, and he built it by spending more time worrying about what his decisions would mean for the people than for his political fortunes.
I didn't want to wait around for some business entity to come around and give me money and tell me what to do. We just started releasing records as best we could.
When I think about putting together an album, the process of listening to hundreds of songs each time and picking out the best 10 or so that will go on the record, it really sinks in as to just how many songs I've listened to all these years.
The Shins is, in a way, a recording project that turned into a live band. So I don't really keep myself beholden to any rules when I'm in the studio for Shins. I just gotta get it done as best I can.
That's the unwritten rule in hip-hop. If I get on a record with you, I want to smash you. That's it. Every MC knows that. If I'm on a track with you, I want to be the best on the track. That's just how it is in hip-hop.
People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
My mother and father are very involved with music. It's completely part of their soul. They have an incredible record collection, all vinyl, of some of the best artists, in my eyes, that you can come across.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
We started all this research way back in the early 1990s, developing a technique that allows us to record the electrical signals produced by neurons simultaneously.
I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
