I feel like Eurovision is a parallel dimension. It reminds me of 'Dance Fever' and 'Solid Gold' when I was a kid. Then when you hear these songs sung in English by someone who may or may not understand the words, the unique awesomeness hits you.
Everybody has that point in their life where you hit a crossroads and you've had a bunch of bad days and there's different ways you can deal with it and the way I dealt with it was I just turned completely to music.
In 1969, I wrote a musical called 'Mother Earth.' It was a rock musical with an ecology theme. We did it at the South Coast Repertory Theatre in Southern California where I was a member. It was a smash hit in this small theater.
Chicago always hit me as such a gloomy place - I just remember all the snow getting dirty as soon as it would fall, all the decaying brown brick buildings around where we lived, all this soot all over the place.
In our system, at about 11:30 on election night, they just push you off the edge of the cliff-and that's it. You might scream on the way down, but you're going to hit the bottom, and you're not going to be in elective office.
The essence of paint ball is the fact that when you get hit by a ball full of paint, it hurts just enough to say, 'Ow, I gotta get out of the way,' but not enough to say, 'I quit.'
I definitely suffered from stage fright. I had to work really hard to come out of my shell. When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious.
The economic tsunami has hit all airline employees. With the 2001 terror attacks, airline bankruptcies, pension terminations, loss of pay, changes in work rules - we're all working harder and longer than we used to.
I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work...
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to...
Women's lives get more interesting the older they get. For some reason, when you hit 35, it turns into a grey area filmically. There's not much more until you start playing grannies. I'm not ready for that. I'm just naffed off that, between 35 and 50...
A while back, when Dick & Barry & I agreed that what really matters is what you like, not what you *are* like, Barry proposed the idea of a questionnaire for potential partners, a 2 or 3 page multiple-choice document that covered all the music/film/T...
It is a foible of our human nature that when we have an extremely unpleasant experience, it gives us a peculiar satisfaction if it is “the biggest” of its disagreeable kind that has happened since the world began. During a heat wave, for instance...
No one’s fated or doomed to love anyone. The accidents happen, we’re not heroines, they happen in our lives like car crashes, books that change us, neighborhoods we move into and come to love. Tristan and Isolde is scarcely the story, women at le...
[Following Lauda's press conference, Hunt approaches the British journalist that offended Lauda] British Journalish: James, are you all right? James Hunt: Good, yeah. Listen, I think I've got something for you on that last question, about Niki. Briti...
[Obi-Wan Kenobi and Yoda are escaping the Jedi temple as Obi-Wan noticed the hologram center] Obi-Wan: Wait, Master. There is something I must know. Yoda: If into the security recordings you go, only pain will you find. Obi-Wan: I must know the truth...
Infiltrating the records of a state penitentiary as well as the state and federal court systems was much more fun than deciphering art. -Phil Roach
The fossil record implies trial and error, the inability to anticipate the future, features inconsistent with a Great Designer (though not a Designer of a more remote and indirect temperament.)
Ugster vinyl pumps, Partridge Family records, plastic daisy jewelry, old postcards. . . . It's a magpie Christmas market.
In individuals as in nations, contentment is silent, which tends to unbalance the historical record.
