Understanding the true causes of the Depression, as well as the real economic record of the United States in the 1930s, is an essential ingredient in anyone's economic and historical education.
I learned a lot from that first record and I learned a lot from my experiences touring, but really the biggest education I got over the past two years was learning the importance of arrangements.
I think environmentalists do no service to their cause by taking fundamentalist stances. I am not defending corporate India's track record, but for many environmental problems, there are technological solutions.
To me, it's all about the song. Songs are what make me excited. You hear a great song and you want to record it or get a great idea and you want to write it.
Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
People say, 'How's the record doing?' In the old days you'd say, 'We're at 600,000, it's doing great.' You don't say those things anymore. Those numbers are gone.
Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.
I don't linger on the fact that Dawn Fraser was a great swimmer 40 years ago. That was in the past. I did break 41 world records, but I don't live on that today.
It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
Whenever any great song or album gets lost in the ether, someone is deprived of the joy of hearing it, and the great effort of those who created and recorded the work is damaged.
Growing up in Hitchin was comfortable and easy enough. My parents had some great records - and some not-so-great ones - and that's where I got introduced to Motown and the Stones and Springsteen.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
In the account book of the Great War the page recording the Russian losses has been ripped out. The figures are unknown. Five millions, or eight? We ourselves know not.
I don't want to be Babe Ruth. He was a great ballplayer. I'm not trying to replace him. The record is there and damn right I want to break it, but that isn't replacing Babe Ruth.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
One of my first favorite records was the debut Garbage album, which I heard when I was very young. Shirley Manson is a great female vocalist and performer and I admire her for that.
I think when people make a record with a goal in mind - like taking it to the next level or making them seem more mature - that gets in the way of writing great songs.
I think I write very good songs. But I don't know if anybody could record my songs with as much fervor. They sound good sung by me, and they especially sound good with my band.
I do want to sell as many records and win as many awards as I can. The awards though, they don't necessarily determine if you're good or not. I know that now.
If it's a good LP, you'll get that tingle that makes you put it on again no matter what your initial reaction was. On the other hand, if you don't get that tingle, you'd better take it straight down to the record exchange.
