I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
Life is, if anything, the art of combination. Of discrimination. Of freely picking one's own personal pattern out of a hundred choices. Not letting it be picked for you—either by the Establishment, or by the Rebels. Conformity of Hip is no better t...
So I think hip-hop is moving and is going to continue to move in the direction of rappers just being honest with themselves, whether you're talking about Common and Mos Def or Nas and 50 cent.
What's the biggest commercial for aggression, sexuality and materialism? What gets pumped into these kids' heads? Taking someone else's girl, which is so laissez-faire in hip-hop, will get you killed in the streets, but it doesn't seem to be an issue...
After my hip operation, I had to cut out butter, which I loved, and salt. I no longer eat desserts with lots of cream, and I've cut right back on alcohol.
Even when I was a hip-hop DJ I always kept it classy. The motto is always 'flashy but classy.' You've got to be original and stand out from the crowd and take some chances. But you've always got to keep it classy.
Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.
My greatest contribution to hip-hop was allowing the United States of America to know and understand exactly how far they reach, and how influential they are to children in completely different countries because I am the import.
After 'Lindbergh,' my publisher asked whom I wanted to write about next. I said, 'There's one idea I've been carrying in my hip pocket for 35 years. It's Woodrow Wilson.'
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
I've been living. I've been doing the writing thing. I've been being the family man. I've been traveling the world. I been to, like, 18 cities last year. I've been getting my thoughts together, trying to figure out what's going on with hip-hop itself...
Sometimes you have the trends that's not that cool. You may have certain artists portraying these trends and don't really have that lifestyle, and then it gives off the wrong thing. And it becomes kinda corny after awhile. It's really about keeping h...
Focus on your problem zones, your strength, your energy, your flexibility and all the rest. Maybe your chest is flabby or your hips or waist need toning. Also, you should change your program every thirty days. That's the key.
I really like to look like a history book. I can look 1940s, I can look 1970s hippie-chic, or sometimes I'll pull that '80s Brooklyn hip-hop kid with the door-knocker earrings.
My dad raised me with some good advice: 'Always tell the truth. Always shoot from the hip. You might not have many friends, but you'll never have enemies, because people will always know where you're coming from.'
Here's Kanye, the great musical genius of his generation in hip hop, but, like, society really can't even deal with him because he's always saying something that people go, 'Oh, I can't believe Kanye said that. I can't believe he did that.'
I personally have dealt with any adversity in my life with humor. That's why I told America to 'Read my hips!' on 'Dancing With the Stars' or was happy to play along with Jason Alexander and Jerry Seinfeld in the great restaurant scene on 'Seinfeld.'
Because hip-hop has no requirements, you deal with people that have the least intelligence on the planet. Some of the people that compare themselves to me, compare themselves to me because they rap and I rap. They can't even read the contracts that t...
With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the re...
