I don't have great running technique, but I like to run. I've heard from countless people that the last six miles of the marathon is all mental. But what better city to have this in than New York City where there are millions of people there supporti...
After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to tak...
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're s...
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.
My name is Bruce Feiler, and I'm an explainaholic. I first heard this word used to describe Isaac Asimov, and I knew instantly that I suffered from the same condition. It's the incurable desire to tell, shape, share, occasionally exaggerate, often el...
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
I know you've heard it a thousand times before. But it's true - hard work pays off. If you want to be good, you have to practice, practice, practice. If you don't love something, then don't do it.
I feel good about being able to take bluegrass on to television like 'Letterman' and 'The View,' and I've heard nice things about being able to do that. I really haven't felt any negativity toward me or my music.
It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it befo...
Bud Johnson, God rest his soul of fame, a tenor saxophonist. Bud was always a big, big, big booster of mine and he always when I first met Bud in Pittsburgh when he came through there, he heard me sing and he wanted me to come to Chicago.
I had called her up a couple of weeks before then, because I had heard this vicious rumour that she did not like the movie. It was very upsetting for me. I am very sensitive to that, because I am portraying her life and did not want her to be unhappy...
We don't know anything about racism. We've never experienced it. If words can make a difference in your life for seven minutes, how would it affect you if you heard this every day of your life?
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were...
As a child, I heard many warnings from teachers about the perils of talking with strangers. Yet now, fairly late in my life, I can think of not many things better than to talk with strangers. The idea of being a stranger is also very appealing.
This life, which had been the tomb of his virtue and of his honour, is but a walking shadow; a poor player, that struts and frets his hour upon the stage, and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying no...
I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and ...
I could go crazy on a night like tonight When summer's beginning to give up her fight And every thought's a possiblility And the voices are heard but nothing is seen Why do you spend this time with me Maybe an equal mystery
I have not heard people in the Republican Party yet admit that they have a problem. And when they do say that they have a problem I don't know that I believe 'em.
I don't concentrate on technical things like where a microphone is placed and things like that. As a producer, I try to keep the initial feeling from when I first heard a song and make sure we do what were initially aiming for.
One of my co-workers at Ralph Lauren heard about the show, and when she got back to the office, said; Carson, you have to call Bravo. They're doing a show. You're perfect for it.
'Weedflower' was already in the copyediting phase when I heard about the Newbery award, so it didn't really influence my writing of that book, but since then, I have become more aware of having an audience.
