Corinne Bailey Rae I listen to a lot, and I'll hear Desert Island Discs and quickly write down the name of a song, and it will open up a new area of music for me. I discovered an Argentinian guitarist, Jose Luis Bieito, on Classic FM.
Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.
I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing...
I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows. Sometimes, it works. Sometimes, it backfires.
My brother had a house in Paris. To it came many Western classical musicians. These musicians all made the same point: 'Indian music,' they said, 'is beautiful when we hear it with the dancers. On its own, it is repetitious and monotonous.'
I'm influenced by all kinds of music. I have a very diverse iPod. You never know if I've got it on shuffle. You never know what you are going to hear next. I like all genres.
What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
After all those years as a woman hearing 'not thin enough, not pretty enough, not smart enough, not this enough, not that enough,' almost overnight I woke up one morning and thought, 'I'm enough.'
For you in the West to hear the phrase 'All men are created equal' is to draw a yawn. For us, it's a miracle. We're starting out at rock bottom, man. But South Africa does have soul.
I think women in pop have been declawed and defanged, and they're just meant to look pretty and sing pretty. You don't really hear a female perspective on the radio, because so many of the songs are being written by men.
They wonder much to hear that gold, which in itself is so useless a thing, should be everywhere so much esteemed, that even men for whom it was made, and by whom it has its value, should yet be thought of less value than it is.
The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
I look at some of the old villains in the Disney movies. If you really listen, you can hear some of the villains or some of the supporting characters, they use the voices over and over because they were so versatile in the way that they performed on ...
I got to learn from the American audience. Hearing what it is they're not getting. These are audiences, 35 to 40, an older demographic that controls seven to 10 trillion dollars. And the producers and distributors have convinced themselves this group...
Tak: I want to know how you feel. I'm scared to hear your answer but, I need to know. Do you like me? Or not. Leave with me.
Luisa Anselmi: Don't explain. I didn't ask you anything. Just spare me the shame of hearing you swear to a mess of lies.
XERB Disc Jockey: He's a friend of mine, you hear? And little girl... you better call him, or the Wolfman gonna get you!
Ariel: Cool! Christy: Cool? Where'd you hear that? Ariel: I don't know, I just heard it. Christy: Ugh, you're already American, it's disgusting!
Dr. Dreyfuss: [entering his apartment, he suddenly hears loud music starting from next door] Mildred! He's at it again.
Juan Trippe: If you let him testify at that hearing, the whole world will see what he's become. They should remember him for what he was.