There are better ways we can transform this virulent hatred - by living our ideals, the Peace Corps, exchange students, teachers, exporting our music, poetry, blue jeans.
I feel that when Chad is in the room, I can tap into this other thing where music comes from. I don't know. It's just this really magical, special connection and relationship.
Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested.
I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
Well, I am very happy that I was able to play a part in bringing music from the streets onto the radio and into modern culture, I worked very hard and always believed in the sounds I was creating.
I get a lot of calls from families and people who have served time and they say, 'Thank you, Sheriff. I hate the tents.' That's music to my ears.
Because of the Thames I have always loved inland waterways - water in general, water sounds - there's music in water. Brooks babbling, fountains splashing. Weirs, waterfalls; tumbling, gushing.
A lot of the vocal music I've been doing recently has been quite clubby. But that's mainly because I've had more time to go to clubs, and that normally breeds that kind of influence.
I think one of the most important things punk brought back was the whole concept of staying independent and doing things yourself. It made music a lot less boring in any category you can name.
My brother has a tendency to get quite lyrical when he writes music; he gets so romantic, it's borderline. I make it slightly more aggressive. I make the round corner a bit sharper.
I think older people can appreciate my music because I really show my heart when I sing, and it's not corny. I think I can grow as an artist, and my fans will grow with me.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
It is better to make a piece of music than to perform one, better to perform one than to listen to one, better to listen to one than to misuse it as a means of distraction, entertainment, or acquisition of 'culture.'
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them, electronic, but like an orchestra. And I could play it all myself. That was exciting.
It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.
I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.
Cumbia is a beautiful rhythm. It's a music that has indigenous, African and European components. It's played in all of America - from Argentina to the U.S. It has mutated and been nurtured by everyone who comes across it.
I do look at songwriting as a lot of work. I don't over-intellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing.
I went to see 'Listen to My Heart: The Songs of David Friedman.' I have been a fan of his music for years, and I was invited to opening night because I know one of the producers.
See my father knew a lot about music, he played the piano and he would do theory and stuff like that, but I didn't learn anything from him, but I played that for him and he liked it a lot.
