Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whateve...
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supp...
America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same m...
I went to school in Gainesville because it was a huge punk and folk town. So I went to class twice a week, and then I went to shows and wrote. I did a lot of music writing before I actually started playing music.
I started playing piano with a little band in high school. I was terrible. I thought I had absolutely no talent. I couldn't keep time. I only got into McGill, which was a lousy music school, because they were taking American music students.
I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have i...
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting...
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.
I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.'
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated ...
Music I heard with you was more than music, and bread I broke with you was more than bread. Now that I am without you, all is desolate; all that was once so beautiful is dead.
Over the years, music put a weapon in my hand and words in my mouth, it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to...
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
People always tell me I'm the complete opposite of Chief Keef and act like I'm supposed to stop him from making his music. But I like Chief Keef, so it's always super awkward. I just make music I like.
I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
When I think of music, I think of music in its totality, complete. From the lowest blues to the highest symphony, you know, so what I'd like to do is exemplify each style of as many periods as I can possibly do.
I've gotten to go to the Opry a couple of times and stand backstage and watch. But I made it a point not to take a tour or stand in the circle until music took me there. I told myself that was one place I'd never go unless music took me there.
