I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.
In 2010, aside from that niche of music that I have no interest in - Black Eyed Peas territory, disposable pop stuff - there's almost an incentive to go back to making music as adventurous and groundbreaking as you can, because nobody gets a big hit ...
Music, for me, is vital. Punjabi, Bollywood, Sufi, RnB... I listen to it all. When I'm not listening to music, you will find me chatting with friends. Off the field, I just let my instincts take over. I certainly don't think about batting, or which b...
As for what I listen to after writing, it could be anything - but I've noticed that if the current book contains music from one tradition, it is music from another tradition that most relaxes me.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
Growing up in Memphis and listening to all kinds of music and dreaming... So that was one of the first times I wrote a complete song and set it to music and the whole bit. From then on, I was busy with it.
Once you've changed who you are or who you've portrayed in your music, the fans, they'll catch it... Once I feel like the world knows me for anything else but my music, then I feel like I failed.
I've just had a wonderful time doing Chinese music, and it's been so rewarding for me. I feel like there's so much potential in mandarin music, and there's so much, you know, ground left to be broken.
When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let'...
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
Antonio Salieri: [about Emperor Joseph II's musical tastes] Actually, the man had no ear at all. But what did it matter. He adored my music.
I started out really into musical theater. So you can imagine I was super popular. I wasn't awkward looking at all.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.
People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.
And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy. As she passes through them, several people greet her. In foreign tongues even, ...
Sulley: Mike, that's not her door. Mike: What are you talking about? Of course it's her door. It's her door. Sulley: No. Her door was white and it had flowers on it. Mike: No. It must've dark last night because this is its door. [opens the door. A br...
[Nigel is playing a soft piece on the piano] Marty DiBergi: It's very pretty. Nigel Tufnel: Yeah, I've been fooling around with it for a few months. Marty DiBergi: It's a bit of a departure from what you normally play. Nigel Tufnel: It's part of a tr...
Jim: Do you know I was thinking? Selena: You were thinking that you'll never hear another piece of original music ever again. You'll never read a book that hasn't already been written or see a film that hasn't already been shot. Jim: Um, that's what ...
