I try to listen to over a hundred different songs a day. I listen to every single thing. If you're just listening to pop music, you're just gonna make pop music. I listen to Adele, Yo Yo Ma, Gucci Mane.
Nothing separates the generations more than music. By the time a child is eight or nine, he has developed a passion for his own music that is even stronger than his passions for procrastination and weird clothes.
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
Once music ceases to be ephemeral - always disappearing - and becomes instead material... it leaves the condition of traditional music and enters the condition of painting. It becomes a painting, existing as material in space, not immaterial in time.
When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
I feel it's my job to continue being a student of music if I want to continue being an artist and a producer of other artists. You have to keep filling your mind with other music. You have to be ahead of the curve.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
The kind of music I'm dealing with is more a long-term music. Sometimes a little discourage runs along on your thought, but I am here to push it back. Discourage is a sign of weakness, and I don't like to be weak.
I had been in a band in college. You kind of need to make a choice between going the music route or going the acting route. I chose acting, figuring I could always do the music on my own.
I wanted to do something as an extension of my passion for music. My aim for the STREET by 50 On-Ear Wired Headphone range is to present music as it's meant to be heard, in studio-mastered sound.
I'm a real music fan, so I listen to all kinds of music all the time. I listen to a lot of what my friends or people I know are listening to. I'm always checking out new bands.
My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I'm so into music that I just stop and listen, whenever there's music on. That's the problem with being a musician for so long. I can get lost in the bassline, fascinated with the arrangement, curious about the production. I can't shut it out.
From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.
I don't listen to music when I write, but I do turn on appropriate music when I read portions of my manuscripts back to myself - kind of like adding a soundtrack to help shape mood.
I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.
When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.
