I think music is what language once aspired to be. Music allows us to face God on our own terms because it reaches beyond life.
The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the compos...
I've had so many different influences musically, even from people who aren't even musicians. If you're inspired by someone and you document it musically, then they are your influence.
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.
I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who aren't exposed to creative music.
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
One has to draw upon one's own musical thoughts and one's own musical acumen, and not to be afraid to let that come into one's work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.
One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those ...
I knew all this Beatles music. I knew the songs phonetically. It was like my whole experience of that music was out of focus, and somebody put the perfect glasses on me, and all of a sudden I could see everything.
With Napster and the sharing of music, of course, there are going to be people who exploit it. Greed has no end. But there's a lot of good that could happen. We shouldn't let the economic concerns of the major labels infringe on our freedom to share ...
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there.
The music business is rougher than the movie business. In film you get noticed in a small role, even in a movie that bombs. But in records you better have that hit or else it's 'See you later.'
Also, right at that particular time in the music business, because of people like the Beatles, people began owning their own publishing. I'll just say this really quickly - they used to divide the money for the music that was written in two, just equ...
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
Thinking back on it, I've been in this business since I was 3, and I grew up in musical theater, so I was raised and surrounded by gay men and gay women. I was hardly around anyone straight.
The music business has changed incredibly. There used to be 50 record companies. Now there's only three, and it's just getting smaller and smaller. But then again, you have the Internet, so anybody who has music can get it out there.
I think the music business is probably not happy with what we've done, because the people buying the record have actually got to pick what they want to buy, rather than being told what they should buy.
I needed a break, and going to culinary school turned a lightbulb on that I didn't have to make music. The people in the music business forget that not only is there an entire world of people out there who do not care what we do, we are not creating ...
Some people are the greatest people on Earth with good hearts and will get in the studio and make the most negative music in the world for the sake of success. That's what the music business does to you. That's what capitalism does to you.
I'm from a little island off of Massachusetts, Nantucket. It's hard getting into the music business from there, but my parents took me to songwriting festivals because I would write and produce my own music.