The scarcity of the music not only makes the music itself enjoyable but it also gives the collector a strange sense of superiority.
I'm a big fan of piano-based rock music like Elton John, Ben Folds, and even Queen.
I honestly don't listen to a lot of music - I spend so much time working at my own music.
For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.
We're in the dark ages if J-Lo can have a music career because of her ass. And let's face it, that's it.
But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world.
I just wanted to say one more thing: I also think that when you go to play music, you're there to play music.
People think that when they're playing it safe, they're trying to preserve what they have, but there is no preservation of what you have in music. There's no safety in music.
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.
Here's how I understand music. If you can play the same bunch of noise twice, it's music. To go beyond that is supercilious and pontificating.
I don't have any message in the music. Music will be fine as long as you take care of yourself.
I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.
With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
So, maybe you don't see blues so much in Styx's music but it is definitely part of Tommy's early music.
My music can be a little obscure. It does worry me that the music might be too complicated for people to take in - that they have to work too hard at it.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
I do dance music, and I can be pretty camp myself from time to time.
What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
The bands you like and know that are French are always outsiders in the French music industry - Daft Punk, Air.
The problem with music was always that the sound system often obliterated the words, and words, not music, have always been what I was about.
