You know, Quincy Jones was a great mentor, but he was a man in a man's world. Fortunately he's a very sensitive man and a beautiful human being, and even though he was 14 or 15 years older than me, he's a capable human being and has great communicati...
I'm actually writing history. It isn't what you'd call big history. I don't write about presidents and generals... I write about the man who was ranching, the man who was mining, the man who was opening up the country.
My father was truly a great man. I remember one day putting my feet in my father's shoes. I was amazed at the size. Would I ever be big enough to fill his shoes? Could I ever grow into the man my father was? I wondered.
A good man often appears gauche simply because he does not take advantage of the myriad mean little chances of making himself look stylish. Preferring truth to form, he is not constantly at work upon the facade of his appearance.
Usually you're in movies with a lot of dissolves and things, but this was kind of quick, more jarring than usual. I thought it would be fun to be in a movie that's unconventional. Then I met Guy and I liked him. I think he's a good man.
And let me tell you, you boys of America, that there is no higher inspiration to any man to be a good man, a good citizen, and a good son, brother, or father, than the knowledge that you come from honest blood.
It is what the poets of Ireland used to be saying, that every brave man, good at fighting, and every man that could do great deeds and not be making much talk about them, was of the Sons of the Gael; and that every skilled man that had music and that...
There are few things more dreadful than dealing with a man who knows he is going under, in his own eyes, and in the eyes of others. Nothing can help that man. What is left of that man flees from what is left of human attention.
After attainment of Supreme knowledge a man lives but he does not lead an ordinary man’s life. He lives, he eats, he sleeps and by God’s commandment he becomes a ‘man-catcher’ as Christ told Peter.
In the old days feminists would mock women who depended so much on a man. Today if the man is the government, not so much. A man who opens the door for you is a Neanderthal; a bureaucrat who pays for your pills? A hero.
Ordinary readers, forgive my paradoxes: one must make them when one reflects; and whatever you may say, I prefer being a man with paradoxes than a man with prejudices.
In ancient African cultures, a young man was not considered a full member of the tribe, an elder, a man. He couldn't marry and he couldn't own land until he had killed a lion. It was symbolic.
I don't think a man has to go around shouting and play-acting to prove he is something. And a real man don't go around putting other guys down, trampling their feelings in the dirt, making out they're nothing.
The foolish man conceives the idea of 'self.' The wise man sees there is no ground on which to build the idea of 'self;' thus, he has a right conception of the world and well concludes that all compounds amassed by sorrow will be dissolved again, but...
Ralphie as Adult: [narrating] The old man stood there, quivering with fury, stammering as he tried to come up with a real crusher. All he got out was... The Old Man: Naddafinga!
Man on train: Don't take that tone with me, young man. I fought the war for your sort. Ringo: I bet you're sorry you won.
Peachy Carnehan: Danny's only a man. But he break wind at both ends simultaneous - which is more, I reckon, than any god can do.
Louis Bernard: [dying] A man... a statesman... is to be killed... assassinated in London. Soon... very soon. Tell them in London... tell them to try Ambrose Chapel...
Man: [answers telephone] Hello, who is this? Nemo Nobody adult: Hello, who is this? Man: Who is THIS? Nemo Nobody adult: I was told to call this number. My name is Nemo Nobody. Man: Is this some kind of a joke?
Tom Doniphon: I know those law books mean alot to you, but not out here. Out here a man settles his own problems.
[first lines] Man 1: [voiceover] Quiet on the set. Woman: [voiceover] OK, everybody, quiet on the set. Man 2: [voiceover] Scene 1, take 10. Marker. Man 1: [voiceover] And - action!
