I still get thrilled by the energy that is a live performance, the fear and the panic and the electricity that happens on the night. I think jolting myself every once in a while with that fear is a good thing for me.
There is no city or country in the world where women and girls live free of the fear of violence. No leader can claim: 'this is not happening in my backyard.'
I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.
I'm just a guy who happens to work in public from time to time. I've built a reputation as an established comic, not as a celebrity - a celebrity is someone who is famous but doesn't do anything.
It wasn't being an alcoholic - it was going wild. It happened when I got famous. It was like having my teens in my early thirties: blotting out your life, not having to think about anything.
I'm just not a private person. It's not like I do things because I want things to be public; it's just that's my way of expressing myself, and I happen to be very famous.
What happened on September 11 compels us to focus on who we are as Americans, what we stand for, what really matters in our lives - family, friends, faith and freedom.
I can look at the future with anticipation. And it's comforting to know that someday, as Christians, we'll be able to look back and have a little more clarity on why certain things in life happened.
Kids feel so strongly about what's going on today and what's happening to the world, and that's very inspiring. I feel more hopeful than ever before about the future.
Happy accidents are real gifts, and they can open the door to a future that didn't even exist. It's kind of nice sometimes to set up something to encourage or allow happy accidents to happen.
When you destroy a population, once femicide happens, we're going to see the end of humanity, because I don't know how you sustain a future without vitalised women.
As Members of Congress and people of conscience, we must work to overcome the indifference and distortions of history, and ensure that future generations know what happened.
You either end up on a good, fun show that's successful, or you have that question mark in your future, and you know that you don't know what's going to happen, which is exciting.
It's nice to establish yourself as an actor first and a singer second. Proof is such a tremendous piece of work, and I'm incredibly lucky to be a part of it. I'm sure that the musicals will happen in the future, though.
We owe it to the victims of the suicide bombers who struck London on 7 July 2005 to find out how the attacks happened and to learn the lessons that will spare lives in the future.
In the future, I think movies are going to be more of data sets that viewers have a hand in controlling - where the narrative originates and what happens to the content.
We think, fundamentally, that the future story of Latin America, not only of Mexico but for all of Latin America, will be constructed from the bottom - that the rest of what's happening, in any case, are steps.
I have my flaws and my issues, past and present and who knows what will happen in the future. I want people to know I'm vulnerable too and each one of us is.
I happen to be very good with younger actors because I have extremely vivid memories of that time of my life, and kids are just funny.
Sometimes when you write something on the page, it can seem very funny, but when you act it out - and this happens to me a lot, actually - the melancholy of the situation becomes more front and center.
Funny things tend not to happen to me. I am not a natural comic. I need to think about things a lot before I can be even remotely amusing.
