Actors only have our bodies, voices, and the text. So I think actors need to have a fit and in-tune body. I was always very disciplined in wanting to have that. That's one of my favorite things - playing a role with a physical requirement.
We don't need more of the same, typical politicians fighting for themselves and for special interests. We need someone to believe in our small-business owners again and someone to champion those folks who play by the rules.
If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.
I see a film or a TV series or a play as being this machine. It sounds quite robotic, in its description, but it's basically a machine and you're just one of the cogs that goes in it. You're not the biggest one, and you're not the smallest one. Every...
It's exciting to do something like this because usually what happens in theater is that, after the first or second reading of a play, it falls apart completely and the rehearsal process is such that you begin to pick up the pieces and put it back tog...
A good strategy and solid play doesn't revolve around tricks. It doesn't revolve around surprises. It doesn't revolve around having hidden information. It revolves around very solid strong timing, and crisp execution.
As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level to...
I'm a big, big blues fan and the last several years I've really invested in the blues a lot, and I think my playing is getting better because of it - not necessarily better on a technical level, but certainly on a level of appropriateness.
I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie. That's the first thing. You want to do it.
I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
We have been playing to a 70-30 black to white audience. And we are just doing what should come next, trying to attract a larger house, trying to reach an audience that's half black and white.
Molly Shannon and I used to always talk about that we really felt strongly that we were comedic actors, that we weren't comedians. You just played things real and the comedy came out of the context.
All of the punk-rock bands of the era would come in and play, and my job on Punk Rock Night was that I would go into the slam pit, and... I was 24 or 25, and I'd slam dance in the pit.
I'm not crazy about arenas just because I can sell them out. It doesn't do anything for my ego at all. I want to play places where people don't have to sit in the nosebleed seats and wonder what the hell is going on.
I can get a tune out of most things with strings, but I'm not really sure I'm what could be called a musician. I find it fascinating working with people who can play other instruments and sing.
The five big mistakes in football are the fumble, the interception, the penalty, the badly called play, the blocked punt - and most of these originate with the quarterback. Find a mistake-proof quarterback and you have this game won.
Reading about Queen Victoria has been a passion of mine since, as a child, I came across Laurence Housman's play 'Happy and Glorious,' with its Ernest Shepard illustrations.
A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how sou...
When you come into the industry as an outsider, you need to have an entrepreneurial spirit to succeed. In Hollywood, it's very clear that you either play by the rules or make up your own. And I wanted to do it my way.
In Montana, when we did 'Return to Lonesome Dove', we rode on the side of a hill at night in the dark; I was afraid my horse would step on one of the actors playing dead. The director said to leave it to the stunt doubles since they got paid for that...
