I'm agnostic because I went through the usual process of parents insisting you go to church, and yet they didn't. So there's me, sitting in the chairs, thinking, 'Jeez, why am I here? I'd rather be playing tennis, seriously.'
Every day some new fact comes to light - some new obstacle which threatens the gravest obstruction. I suppose this is the reason which makes the game so well worth playing.
I was ballet dancing at four, playing piano by six, and doing commercials by 12. When I was 21, I was on the number one live comedy show in Puerto Rico. I told my parents, 'I'm going to New York to become a performer.' And I left.
The reason I am unemployed for six months out of every year is because I have to turn down most of the films I'm offered. If I didn't, I'd only ever play a dark, satanic count on a horse.
I went to watch the Buzkasgu game taking place on a series of fields - some fallow, some plowed and planted- just to the east of the empty Buddha niches. Buzkashi is a form of polo played with a dead goat instead of a ball.
I would not rule out going to Israel because I disapprove of the foreign policy any more than I would refuse to play in the UK because I disapprove of Tony Blair's foreign policy.
For those who believe executive branch officials will voluntarily interpret their surveillance authorities with restraint, I believe it is more likely that I will achieve my life-long dream of playing in the NBA.
My high school coach was Ray O'Conner. He has coached a lot of players that have signed professional contracts, and many of those have gone on to play in the major leagues.
You know over 20 years I played for a number of managers and dozens of coaches. I don't know any of them that I didn't learn something from to help make me a better player.
I always got on well with Roberto Mancini and never had a problem with him. Every manager has their own way of working, tactics, and style of play. As a player, you do what the manager says. There are misunderstandings, but generally, everything was ...
Well, the responsibility for maintaining a reliable transmission grid is one that's shared by an awful lot of players who have a role in the grid: Companies that either generate and transmit energy or just play the role of being the transmission syst...
Well, I'm a painter, I was trained as a painter…I seem to have spent a little less time painting than I might've done…But it didn't transcend the feeling of playing at UFO and those sort of places with the lights and that, the fact that the group...
I always look for the writers and what they're creating. If it's something I don't buy, it's really hard for me to play it. To me, it has to be grounded in some sort of reality. It's really hard to go to these extreme places if they're not grounded.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
The stage is like a laboratory where you can run theatrical experiments, imposing interesting conditions on the cast or story and seeing how they pan out. Each new play is like creating a tiny virtual universe enclosed by the confines of the stage.
Chances are that neither the client nor the agency will ever know very much about what role the ad has played in sales or profits of the client, either short-term or long-term.
I discovered that I wanted to be an actor back when I did my first play in junior high. I've been doing theater in junior high and high school, and I just kept feeding the fire, kept wanting to pursue acting full-on.
Even though the weight I'm lifting isn't what it was when I was playing, it's not like I'm not lifting weights that are heavier than the common person would lift. I think a lot of people look at that and say, 'Whoa!'
I don't know if there's an actors' slow-pitch softball league I could join. My agency has a team, but they say it would be a conflict of interest for the people they rep to play because I could hit a pop-up and they'd have to drop it on purpose.
So I concentrated on the rhythmic side of things, and therefore left a lot of holes. I didn't want to use big pad chords everywhere. All of the songs are built up of small melodies and counter melodies all played very rhythmically.
Social economic problems do not exist everywhere that an economic event plays a role as cause or effect - since problems arise only where the significance of those factors is problematical and can be precisely determined only through the application ...
