I think I've always been a player who's done better in the second half, who's done better in the fourth quarter. That's the fun time to play, when everything you've worked for the whole game boils down to those last few possessions.
I'm trying to learn, as I'm in my 40s, to embrace what I've been able to achieve and be proud of it. And I know there's roles that I will want to play before I die, but I'm still just taking one day at a time.
I was actually away in Africa doing 'Generation Kill' while everyone was auditioning for Twilight. They all had, like, five different auditions: I was so lucky that I came back from Africa just in time and the actor who was playing Emmett fell throug...
I just think we want to stay healthy, and I don't think we think about a sense of urgency. We realize how old we are, we realize we've been playing this game for a long time, but you know what? We're not done yet.
I can evaluate a player in a very short period of time because I'm very close to that game, very educated in that game and played the game for a long, long time. I wasn't just a guy with talent. I learned a lot about the game.
I feel like most actors just dig and dig and work and work in whatever way they do to try to do as much as they can to portray a character in the limited time they have to play it, whether it's six months or one month or one week of work, you know.
This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.
Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.
When I was growing up, I was an '80s baby, so I remember the Sega Genesis and the first Nintendo. I grew up in a time when we first started playing video games on a computer screen. Now there are headsets and your body's the controller.
You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
My mother went to a school called 'The Club of the Three Wise Monkeys'. And my grandmother, my father's mother, had a gold charm for her made with the speak no, see no, hear no evil monkeys. And I was fascinated by that charm. I'd sit in my mother's ...
If I could have a time machine, where I could go back and tell 12-year-old Melissa that someday John Schneider was going to play her ex-husband, junior high would have been so much easier. I'd have had something to go for.
I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.
I feel like my competition is everything else that's competing for people's attention, not just other print magazines, newspapers and cable. It's your kid's report card and the games you want to play, all the things that compete for people's time.
But you get past that and realize you have to let go of what you think you want. There'll be plenty of time for that later. Right now, go and be with that baby. Just play with this beautiful little boy.
I know without our fans and the devotion of our fans we wouldn't be here. I don't mean to put them down, but I'm just stating a fact that it is hard to play to people that see you all the time and it takes a lot of fun out of it in some ways.
I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.
I have talked to Debbie Hammond quite a bit, Jim Hammond's wife, his widow. I've seen their kids. And last time we played Dallas, a lot of them came over. It's hard for them to come see the show. It's still hard.
I was privileged to grow up in Mexico at a time when you could play in the streets. We lived not too far from the ocean, and we would be outside all the time with the neighbours' kids, running free. What better place could there be for a child?
There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.
To me, there were comedies that should go up for Oscars. I think Eddie Murphy in 'The Nutty Professor' was one of the greatest acting performances of all time, but it'd never be recognized that way. They always go for De Niro and Pacino, but Eddie Mu...
