I famously had a huge television producer say to me one time, 'Can you please stop doing that to your face? It's very distracting and unattractive.' And I was like, 'You mean move it? Okay, sorry, I guess we're not going to work together.'
I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.
Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965.
I guess I didn't feel confident enough to be searching in a big public way. I was very content at the time to toil in obscurity on things that I thought might point me in certain directions or teach me certain things - not knowing what that would be.
Actually, I've never thought myself as being a particularly hard worker. I've always worked, and I guess my mind is busy all the time. I've been in a lot of things just because of my own intellectual curiosity.
I have a slightly bourgeois upbringing, I guess. My parents paid for me to go to school, which is nice, but I haven't gotten a dime since then. I have no trust fund. I wish I did.
They are the only people in the world who I can truly trust and rely on. Touring gets really lonely. I guess I have friends around me but when you're paying them can they ever really be true friends?
Man with Knife: You're a very nosy fellow, kitty cat. Huh? You know what happens to nosy fellows? Huh? No? Wanna guess? Huh? No? Okay. They lose their noses.
Susan Alexander Kane: I don't know many people. Charles Foster Kane: I know too many people. I guess we're both lonely.
Roy Neary: I guess you've noticed something a little strange with Dad. It's okay, though. I'm still Dad.
[Alone in a church, talking to God, as police lights begin flashing] Luke: Is that your answer, old man? Well, I guess you're a hard case too.
Brick Pollitt: What is the victory of a cat on a hot tin roof? Margaret "Maggie" Pollitt: Just staying on it I guess, long as she can.
Jodi: Who are you? Sabrina Davis: Um... no one. I mean I'm not in the trucks Jodi: You're freshman? Sabrina Davis: Yeah... Jodi: So... are you in or are you out? Sabrina Davis: In, I guess
Ray Kinsella: [about the reclusive Terence Mann] OK, the last interview he ever gave was in 1973. Guess what it's about. Annie Kinsella: Some kind of team sport.
[Ray and Annie are talking on the phone] Ray Kinsella: Hey, Annie. Guess what? I'm with Terence Mann! Annie Kinsella: Oh, my God! You kidnapped him!
Evelyn Couch: Did you hear that? Ed Couch: What? Evelyn Couch: The train. Ed Couch: No, I didn't hear no train. Evelyn Couch: Ah, nothing I guess.
Matt Drayton: Joanna, this may be the last opportunity I have to tell you to do *anything*, so I telling you, *shut up!*
Pete Dunham: So, I'm guessing you're not much of a fighter. Matt Buckner: Fighter? That's probably the first fight I ever had. Pete Dunham: You call that a fight?
Dick: I guess it looks as if you're reorganizing your records. What is this though? Chronological? Rob: No... Dick: Not alphabetical... Rob: Nope... Dick: What? Rob: Autobiographical. Dick: No fucking way.
Rob: Some people never got over Vietnam or the night their band opened for Nirvana. I guess I never got over Charlie.
Ariadne: I guess I thought the dream-space would be all about the visual, but it's more about the feeling. My question is what happens when you start messing with the physics of it.
