'Seconds' is all about spaces, and I guess spaces are kind of like people in that they can be haunting and alluring before we even really get to know them, and after prolonged exposure, they can become mundane or oppressive.
When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.
I find it to be strange that people get obsessed about how fast actresses and celebrities are taking off their baby weight. I guess people like to look to them and feel better about themselves or feel worse about themselves.
I've always liked working really hard and then doing nothing in particular. So, consequently, I didn't overexpose myself; I guess I maintained a kind of mystery. I wasn't ambitious.
It's kind of hard to spend long hours trying to help people and then find out that the favorite game of the columnist is to sit back and second guess you and try to find something that you did wrong.
We've been really lucky. We've gotten a lot of airplay over the years. I guess people keep requesting our songs on the radio, because Lord knows I don't do a whole lot to promote myself.
It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.
Like every other place, I guess, Kansas City was quite a different city when I was a youngster there. They had quite a few clubs, and we had what we used to call jam sessions every night.
It’s just that I coulda swore you had sung me a love song back there and that you meant it but I guess sometimes people just chew with their mouth open
Because I was the first super-elite, the press caught on and started calling me a supermodel. So in that sense, I guess I'm the first. But, in my opinion, there were girls that could have been called supermodels before that, if the term was in existe...
...but I guess it's better for people to shut up rather than rather than say something nasty. -ONE NIGHT @ THE CALL CENTER Chapter 1 page 22
I didn't even start playing the piano until I was about 13 or 14. I guess I must have had a little talent or whatever-you-call-it, but I practised regularly, and that's what counts.
I think if you're artistic in any way, you're probably born with it. I guess it's a talent that can be learned here and there, but I think the instinct to tell a story or to create something happens maybe in the womb.
I believe the human mind is a very fallible thing, but it's the only thing that I can really know, I guess.
I would guess that the decision to create a small special purpose language or use an existing general purpose language is one of the toughest decisions that anyone facing the need for a new language must make.
Your employees come first. And if you treat your employees right, guess what? Your customers come back, and that makes your shareholders happy. Start with employees and the rest follows from that.
I don't like the idea of a singer-songwriter record. I don't picture myself that way, and it's not my favorite sort of look, I guess. It's really just an aesthetic thing.
Well, I've been happily supporting myself for ten years now on the hustle and trade of live entertainment. I guess my breakthrough moment was when I decided to go for it once and for all.
Publishers send me a lot of first novels because my first novel was the defining novel of my career, and I guess a lot of people want my benediction or something.
I guess I did get to tick a big one off the bucket list, though, and that was being on a giant billboard smack-bang in the hub of Hollywood Boulevard. That was... well, pretty Hollywood.
I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?
