I think I had only been working nine months when I got 'Star Trek,' and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like that.
I was a dancer from about the age of four, so I was always performing and forcing my parents to watch my brother and I do 'Jesus Christ Super Star' in the living room. My first step was community theater, and then I started to do films.
When eventually I started to act a bit more, I realised that circus school had taught me something that a lot of actors my age didn't have: physicality. They didn't know how to move. Acting is not all about talking. There is something animalistic abo...
I used to come down from New Rochelle and go to Radio City. They'd have a floor show and a movie. I'm showing my age, but I saw 'Cat on a Hot Tin Roof' and 'Broken Arrow' with Jimmy Stewart. It was a great way for a kid to see a movie.
I like working fast, but I got to the age where the real difference between television and the movies is, I'm not smart enough to be in the movies. It's a very political world. In all modesty, I can say that I'm a much better actor, but that doesn't ...
I wish I knew at 14 not to put much thought into what other people my age said to me, cause we were all looking for the answers. So I wish I knew that other people really don't know any more than you do!
And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing...
I think dance is amazing because what people don't realize is like when you dance your spirit and your soul get ignited. You're not only releasing endorphins, but also your spirit is awakening. It makes you feel good and happy.
You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.
You can't be as old as I am without waking up with a surprised look on your face every morning: 'Holy Christ, whaddya know - I'm still around!' It's absolutely amazing that I survived all the booze and smoking and the cars and the career.
I try to stay in the best physical shape that I can because I do most of my own stunts. It looks amazing if you can do it, but I don't advocate it because you always get injured.
I would have loved to have been in 'Bottle Rocket' to take over Owen Wilson's character Dignan, because he's just awesome and amazing. I would have loved to have been in 'The Darjeeling Limited' maybe. I think that would have been a good one to be in...
I went to art school in Chicago for a year at Columbia College. I had this whole master plan of getting into sustainable development and green architecture and construction, so I wanted to go to business school and then get my masters in construction...
I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectatio...
If I were a carpenter, I'd find a way to empower using that skill. I'm using as much as God has given - my mind, my voice, my heart, my art forms. This is the highest form of expression on the planet from God, to me, to you.
Usually in France we prefer to say bad things about the Nouvelle Vague, but I'm always impressed with its freedom and the fact of not making a film to give your opinion but just as a piece of art, which to me means the Nouvelle Vague.
I think it started since I was born, I always had a need to express myself, you know, as a human being, and I found that it felt right when I expressed myself through art, dance, through acting, so it kind of happened naturally.
It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.
It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drown...
