My parents weren't married. It wasn't like my dad up and left. I maintained a steady relationship with my grandparents. My dad's mother is my nana, and I'm closer to her than almost anybody in this world.
What is a normal childhood? We weren't rich, we were pretty middle-class. My dad survived from job to job; with him taking care of so many relatives, he couldn't save any money.
The kids think we're wacky. Mum and Dad are in showbiz - they don't know any other way. They've grown up travelling all over the world and are getting a worldly education. My son is 12 and he can speak eloquently on religions and cultures.
My dad was very much a John Wayne kind of guy, but he was also a great guy, great sense of humor, a real dedicated dad. I don't think he ever missed a hockey game I was in.
When Dad died in 1998, it really hit my confidence - he'd helped me write and he thought I was really funny, but since he'd died I didn't feel right. And it felt like no one but me even remembered him.
I did a production of Macbeth in the 1960s in which I had a swordfight in the final scene. But the blade fell off my sword just as I was stabbing the guy. I ended up having to hammer him to death.
Feminists bore me to death. I follow my instinct and if that supports young girls in any way, great. But I'd rather they saw it more as a lesson about following their own instincts rather than imitating somebody.
Our creator says, 'Here's your birth and here's your death' - and the rest are the things you learn on your journey. This was my experience - and the choice is, I can lay in the misery, or choose to learn from it and move on.
And that's why I chose on purpose not to have a death scene. We've seen them in a million movies and it's too much like cranking the tears out. I didn't want that scene.
My death scene in 'The Salton Sea' is really weird. I mean, I get shot in the head. What experience can you possibly draw from? There's nothing you can compare it to, really.
Lots of people there seemed to be in denial, in absolute denial, of death - everybody's pretending that death doesn't happen in L.A.; if you do enough exercise and take enough wheatgrass and have your pill every day, you might not die.
I'm not on the run from anything and I'm not at all clear about what I'm running towards. But as some great writer put it, I want to be certain that when I arrive at death, I'm totally exhausted.
I found out about Jonathan Winters' death a day after it happened. That seems wrong. A talent like his should be more revered. The world knew about Kim Kardashian's divorce before she did.
It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
Cause at the end of the day, honestly, at the end of the day when you're in your death bed and that's it, I think it's the relationships you've had and the people that you've touched and the people that have touched you that matter.
No, the people standing before Christ and Pilate during the judgment scene do not condemn an entire race for the death of Christ anymore than the actions of Mussolini condemn all Italians, or the heinous crimes of Stalin condemn all Russians.
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
I end up talking about really mundane things with my fans, and then they're kind of like, 'This is boring. I want to go talk to somebody else.' I think I bore my fans to death by over-talking to them.
Whatever you think of de Sade, he was a complex figure and we should not look for easy answers with him. He was, strangely perhaps, against the death penalty, and he was never put in prison for murders or anything like that.
All the great Shakespeare plays are about killing. 'Alas, poor Yorick,' that's about death. And in 'Romeo and Juliet' everyone up ends up dying. The greatest dramas in the world are all about sex, violence and death.
