I've discovered just how symbiotic the relationship is between writers, directors and actors. They ask the same questions and strip down texts in exactly the same way.
My relationship to reality has been so utterly skewed for so long that I don't even notice it any more. It's just my reality.
I would stay on, but 'General Hospital' honestly doesn't seem to want that relationship with this character at the moment. They want little short doses during sweeps periods.
I had cars, houses, jewels, furs, and a husband who loved me, and a career I was happy with. But I found fulfillment in my relationship with Christ.
The end of anything is not fun because there's a nostalgia to it and everything else. Even the end of a bad relationship can feel so, so, so sad.
A relationship is hard in and of itself. And having kids is really hard work, but I think it's really meaningful, as is a relationship. But they all take work.
I feel like you don't know if someone's equipped for a romantic relationship until they're out of their twenties.
There's nothing worse than walking around and talking about your failed relationship, all day, every day, for months on end.
I don't think that anyone should be in control of a relationship. I think that if you have a woman that controls her man, he is a puppet, and he is weak.
Film's hard when you don't have any relationship with the director at all and you just show up. Then you really are just a gun for hire.
My husband and I are either going to buy a dog or have a child. We can't decide whether to ruin our carpet or ruin our lives.
We all think that this relationship thing is a game out here. All I'm saying to women is, 'Okay. If it's a game, here are the rules that we play by.'
I can't deal with someone wanting to take a relationship backward or needing space or cheating on you. It's a conscious thing; it's a common-sense thing.
Two or three notes of music can instantly make you feel sad or tense or afraid or angry. To do that in words is much more difficult.
I didn't want kabobs, Afghan music, and rules that required girls to be carefully monitored. I wanted mac and cheese, country music, and independence.
I spent a lot of time in Tower Records. I'm a huge music nerd, and Tower was instrumental to me when I was growing up.
To me, all writing is like music. And especially dialogue. I studied music in college; that is what I wanted to be, a composer. Acting got me sidetracked.
TLC was so real and authentic. And that's music as a whole. When it's an artist, and it comes from the heart, and that's really who you are, the fans attach to that.
If you looked at my iPod, you would get a trip out of all the different music, from the real heavy metal to bluegrass to classical.
In times of war, starvation, hunger and injustice, such tragedy can only be put aside if you allow yourself to be uplifted through music, film and dance.
The Phantom, as well as being backed up by that music, it just so was a role that I identified with so powerfully. From the first second that I walked on to perform.
