I'm currently doing Undeclared an American TV show set in a college. It just got aired and got massive ratings so hopefully that'll screen in the UK soon.
I mean, I do believe that when you walk on the stage, or onto the screen, that's your character - not you. So it's an interesting challenge, an interesting line to walk.
The target audience goes back to conception. That means pre-natal care, safe delivery, post-natal screening, and the ordinary stuff you do in pediatrics.
I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.
I think the reason I have secrets is because there are a lot of things I haven't been able to let out, and I'm able to let them out through the screen and this medium.
I now hate actors that blink too much on screen. When people blink, I turn the movie off. So I don't blink at all.
I appreciate the response and the support of fans, of people who actually don't mind watching me on screen... I just don't ever want to jeopardize that.
When you read something in script form, there are some subtleties that stand out with far greater gravitas than sometimes what you see on screen.
When we draw on the tablet, the drawing shows up on the computer screen. If we have chosen to tell the computer that the stylist is to behave like a piece of chalk, or a pen, or a wet brush, it will.
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect.
Alone on the terrace looking up at the stars I would not feel lonely. With him glued to the screen, I feel gutted...
Everyone should see Hollywood once, I think, through the eyes of a teenage girl who has just passed a screen test.
I think I might want to get into development, as in developing my own sort of piece, whether it be for the stage or the big screen or for television.
We want to be sensitive to people's concerns about privacy about their personal being and things, while ensuring that everybody on every flight has been properly screened.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.
Commercials are not the only exposure that obesity gets on TV. It is by no means a rarity on the wonderful Judge Judy's show when both plaintiff and accused all but literally fill the screen.
I'm someone who believes the only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
Everything you see on screen is real. By doing what we do, there's naturally going to be a lot of grimacing. And whimpering.
I don't think most books can be justifiably translated on screen. The film versions can't convey the right emotion, fuel your imagination or allow you to visualise every line the way books do.
