There are always challenges to green screen.
It's hard, the green screen; it's a different way of working.
I wish they taught green screen acting classes.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
I don't ever do those kind of epic, huge, green-screen movies.
Green screen's not my favourite thing to do.
It doesn't bother me to work with so much green screen. I prefer real settings obviously.
'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.
I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.
'Green Lantern' I screen-tested for twice. I fought for the role. And I'm glad I did, because I felt like I earned it.
Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.
Klaus Detterick: [opening scene] [We see a large group of poor white men running through a meadow with shotguns and barking dogs following them] Klaus Detterick: [screen cuts to black] KATIE! CORA! William 'Wild Bill' Wharton: [whispers heavily] Ya l...
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.
I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
'Pair of Kings' is so much fun, literally. It is a very physical show with loads of stunts and green screen work, and you never know what great adventure is ahead of you! It's also a nice change in terms of being of similar ages to Doc Shaw and Mitch...
I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.
On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whethe...
