My mom is a teacher, my dad was a writer for television, his dad was a writer for television, and combining those two has been sort of the goal of my life.
I was not encouraged to follow the career of a writer because my parents thought that I was going to starve to death. They thought nobody can make a living from being a writer in Brazil. They were not wrong.
The difference between being a part-time writer and a full-time writer is like the difference between dating someone and living with them. Some of the romance is gone, but you learn things you'd never know just by dating.
It's not easy making a living as a writer, and for many years I worked at a Waterstones in Dublin. It was a good environment for an aspiring writer, with lots of events and authors appearing.
Other writers definitely influence my writing. What encourages me and inspires me is when I read a good book. It makes me want to be a better writer.
I'm a writer! If you work in an office, it dampens you. It makes you fit a routine. The effect of being a writer is not dissimilar to being long-term unemployed. And everyone knows that is not good for you.
I always feel freelance writers are leading a heroic life. I think that is the real writer's life. On the other hand, it's good to have another job. It gives you something to do.
The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the...
The writers who have the deepest influence on one are those one reads in ones more impressionable, early life, and often it is the more youthful works of those writers that leave the deepest imprint.
Writers don't always know what they mean - that's why they write. Their work stands in for them. On the page, the reader meets the authoritative, perfected self; in life, the writer is lumbered with the uncertain, imperfect one.
The existence of the writer is an argument against the existence of the soul, for the soul has obviously taken flight from the real ego, but not improved itself, only become a writer.
The fact is, unlike a lot of writers, I credit the people who help me. A lot of writers out there have a ton of researchers and they don't get credited in the book.
I thought I was going to be a horror story writer. My influences were horror writers, like Rich Matheson, Ray Bradbury and Bram Stoker.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay.
There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics.
Writers such as Richard Powers and the late David Foster Wallace have shown the path to a newer generation of writers for whom all national boundaries are quaint curiosities.
The most annoying and full-of-crap thing a writer says is, 'I write only for myself, I don't care if anyone reads it.' A writer without a reader doesn't exist.
Diverting the internal traffic between the Writer as Angel of Light and the Writer as Hustler is that scribbling child in a grown-up body wondering if anybody is listening.
I think that each of us inhabits a private world that others cannot see. The only difference between the writer and the reader is that the writer is able to dramatise that private world.
I have so many favorite writers, it's very hard to select a few... of classic writers, I have always admired Emily Dickinson and Henry David Thoreau.
