Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world.
Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed careles...
I'm not saying that putting on makeup will change the world or even your life, but it can be a first step in learning things about yourself you may never have discovered otherwise. At worst, you could make a big mess and have a good laugh.
I think I shall return to America even a better patriot than when I left it. A citizen of the United States, travelling on the continent of Europe, finds the contrast between a government of power and a government of opinion forced upon him at every ...
I'll fill those canyons in your soul, like a river lead you home. And I'll walk a step behind, in the shadows so you shine. Just ask, it will be done and I will prove my love, until you're sure that I'm the one.
I know I can't dance. I am the worst dancer. I have no rhythm. I just do step-and-snap. I love it in the privacy of my own home and every once in a while at a club. But singing and dancing are my two greatest fears.
I hope everybody's had fun, because I've enjoyed my ride. I can tell you that. Now it's time to step aside and let some other young kid come in and win. Hopefully, they will, too.
Turkey and Brazil, though half a world apart geographically, have much in common. Both are large countries that spent long years under military dominance, but have broken with that history and made decisive steps towards full democracy.
I think we're getting to the point where everyone's getting fat and everyone's getting allergic, or claims to be allergic to something and people can't walk from their front door to their car without a bottle of water in their hand because they have ...
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
When you are thrown onto the stage at 17 in such an enormous way, it becomes living on the edge because every step you take, every word you speak, every action you do becomes headline news. And it became, for me, life or death.
Your body must become familiar with its death - in all its possible forms and degrees - as a self-evident, imminent, and emotionally neutral step on the way towards the goal you have found worthy of your life.
It is easy to go down into Hell; night and day, the gates of dark Death stand wide; but to climb back again, to retrace one's steps to the upper air - there's the rub, the task.
If success attends my steps, honor and glory await my name-if defeat, still shall it be said we died like brave men, and conferred honor, even in death, on the American Name.
When we were in the design studio I always was pretending like I was in a closet asking my friend before I step out into the world what do I look like? And everybody wants that honest friend before they go and go to dinner or go to an event.
God can be realized through all paths. All religions are true. The important thing is to reach the roof. You can reach it by stone stairs or by wooden stairs or by bamboo steps or by a rope. You can also climb up by a bamboo pole.
Early in my career, I was really spoiled with a beautiful project. I got such a good start that I thought, 'Why would I ever take a step back?' Why would I take on something that wasn't meaningful - to me, if nobody else - and powerful and groundbrea...
So, if you're doing good longform with talented people than you can step out and you can be the president or a construction worker and people accept that. It's really the roles you give yourself.
I sat out a few years because I wasn't really sure what I wanted to do next. So many things were changing in music and in culture, so it seemed like a good time to step back.
Every single time I step into the studio, I say, 'Can I still do this? Do I still have it? Have I ever had it?' I suppose there's a good amount of self-loathing that goes into any form of artisanship.
Every time I step onto an airplane, I turn to the right and take a good, hard stare into the maw of the engine. I don't know what I'm looking for. I just do it.
