Music is such a great communicator. It breaks down linguistic barriers, cultural barriers, it basically reaches out. That's when rock n' roll succeeds, and that's what virtuosity is all about.
When you travel on a bus with guys who love all kinds of music, you get exposed to some great stuff, man.
Dance music is Madonna's base. It's what she likes, it's what she listens to. It's not anything other than that. She doesn't read what's on the charts. And if it's on time, great. This is who she is.
Jazz music is as American as it gets, and so is the U.S. Postal Service. A Miles Davis stamp is a perfect marriage of two great American institutions.
I think the Rock and Roll Hall of Fame, first of all, has got to be put into the context of being an American cultural showcase. It's there to be a museum showcase of all that's great about American music.
I think PSP is going to be the most successful handheld entertainment device ever. What it will do in terms of the versatility, obviously you can download music to it, and you'll be able to enjoy all your great tunes on it.
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.
If I have to work in McDonalds, fine - I had a really great run and made a living at music for 20 years, and how many other people can say that?
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
Andy Rourke and I had been playing together from 14 or 15, and we had a very great musical chemistry. Andy's just a very respected and unusual musician.
People are going to wake up to this great reservoir of music we've created in America - cakewalks, one-steps, boogie-woogie, country and western. I had a bit to do with one of those traditions.
The office of President is a great one; to every true American it seems the greatest on earth. And to me, as I was engaged in weaving a background of music for the pageantry of it, there came a deeper realization of the effect of that office on the m...
The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.
Everything I do has a certain quality, a certain flair, a certain flavor. I like to eat the way I like to dress, the way I listen to music: put it all together, and it's a great party.
Rock stardom and all that stuff like that was never like my main M.O., my main M.O. is musical growth, and if I become a rock star in the process, great!
When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.
I made all these great musicals with Judy Garland. It was all about me going into a barn and saying: 'Let's put on a show.' That's what me and Judy did.
One of the great virtues, apart from the pleasure of performing these works, is that it's opened up an entirely new, expansive repertoire of American Jewish music.
Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.