I lead no party; I follow no leader. I have given the best part of my life to careful study of Islam, its law and polity, its culture, its history and its literature.
Mag sein, daß für manche die Literatur die angenehmste Art ist, das Leben zu ignorieren, wie Fernando Pessoa einmal geschrieben hat.
He may really have been enjoying an embryonic composition of his own stimulated by mere hints in the book.
To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else.
There are long stretches of the work [Paradise Lost] that are for anyone not theologically minded sheer howling boredom from the point of view of the content.
Literature gives us a window into other people's experiences in other places, in other times, so I thought it would be really interesting to investigate how different people had written about motherhood, and childhood.
It has become almost a cliché to remark that nobody boasts of ignorance of literature, but it is socially acceptable to boast ignorance of science and proudly claim incompetence in mathematics.
That helped me to keep in touch with myself and to keep in touch with this really quite extraordinary language and literature into which I had pushed a little way.
Most students of literature can pick apart a metaphor or spot an ethnic stereotype, but not many of them can say things like: 'The poem's sardonic tone is curiously at odds with its plodding syntax.'
But perhaps the greatest escapism of all is to take refuge in the domesticity of the past, the home that history and literature become, avoiding the one moment of time in which we are not at home, yet have to live: the present.
I understand that postmodern literature probably means people like DeLillo, The Fiction Collective, but I don't get it that those writers are really influenced by postmodern theorists.
I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
Thinking - in particular abstract thinking, which most of us are introduced to through the study of mathematics and literature - helps us learn that we can become problem solvers.
When I was growing up, there actually wasn't a lot of YA literature as it exists today. Most of the YA that I read was from the '60s and '70s, older than me.
Over the years, I began to understand that there were a lot of people out there reading physics in popular literature that they could not understand - not because it was too advanced, but because it wasn't advanced enough.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
For centuries censorship has created best sellers because, as Michel de Montaigne said, 'To forbid us anything is to make us have a mind for it.' (Banned Books: Censorship Histories of World Literature)
Like water leaking slowly through a dike to become a steady trickle or a flood, words and ideas inexorably elude the censor's grasp. (Banned Books: Censorship Histories of World Literature)
One reason I've never been a fan of graphic novels is because a central aspect of literature for me has always been imagining what the things I'm reading about look like.
With English literature, if you do a bit of shonky spelling, no one dies, but if you're half-way through a maths calculation and you stick in an extra zero, everything just crashes into the ravine.
Just why I sent it to the publishers would be hard to say, but when I had finished it I felt that it was literature, because it is real and because it was well written. And I know that the world wants such things.
