If you are designing cryptosystems, you've got to think about long-term applications. You've got to try to figure out how to build something that is secure against technology in the next century that you cannot even imagine.
There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.
As actors, we have a philosophy, which is this: great fun. That has transmitted itself into the dwarf philosophy of life. We're up for a brawl, we're up for a bloody good feed, and if you've got food, well, we share what we've got, and so should you.
One has got to choose between the two evils, also between the lesser of the two evils in the matter of food, and therefore vegetarian food has got to he taken by man in order to sustain human life.
Obviously everybody knows that I'm an original songwriter and I got my band. And the guys in 'Sugar Money,' no matter what, are part of my family and they always got something to do with me, and I don't care if they just hang out with me.
I really don't care what people think of me. I've got my family. I've got my friends. Yes, I have been trained to be a little more aggressive if I need to be, but I don't go around thumping people.
I tried to become a family man. I got married, but it didn't work out. After 22 months we got an annulment. Then I married an Italian girl, which resulted in an immediate annulment. I had two annulments by the time I was 23.
My style has been pretty much like a newspaper. It's got politics in it, it's got media, sports, family relations, you know, all the sections you would expect, and wonderful religion things.
Editing yourself is like an irksome coin toss. You've got to strip yourself of super ego and operate from the id. Maybe I've got my Freud mixed up. It's just hard to trade a beauty shot for the performance with truth and a brightly lit zit.
You've got to be picky in this business - if you're not, then I don't think you have the option of longevity. You've got to be choosy and try and do something that's outside of the box and dangerous. I love doing stuff that excites me, gives me that ...
My training really was at the 'New York Times,' you know. When I got there, I was literally supposed to stay there for five weeks, and I got lucky like nobody, you know, like nobody's business.
I always liked having a good time. I got into this business because I got fired from any job I ever had because I stayed out late playing music.
What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.
In the early days of the video game business, everybody played. The question is, what happened? My theory - and I think it's pretty well borne out - is that in the '80s, games got gory, and that lost the women. And then they got complex, and that los...
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
I never got a chance to take advantage of 'Superbad' at school because I graduated before it came out, so I never got to use any of my fame to pick up girls and go to cool parties.
When I think back on it, of course I got lucky and got great directors and good breaks but all that was the physical part. But what made me a star was that I could take a chance and not have anything to worry about in terms of losing.
I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with...
Look, I hate to sound like Pollyanna, but I literally can't wait to get to work in the morning. I've got steady jobs, I've got my health, and I'm here in the greatest city in the world. I'd be a pig not to be grateful.
I find solace in animals. I have got a stray dog at home called Candy. I picked it up while I was waiting at the airport one day. I always wanted to have a 'macho' dog but got this sweet little thing instead.
If you're an impressionistic painter and you want to paint expressionism, you've got to change. You've got to figure out a way to do it and do it. If you've been playing jazz all your life and you want to start to play rock n' roll, blues, then do it...
