My family's story isn't special. What's special is the America that makes our story possible. Ours is a nation like no other, a place where great journeys can be made in a single generation. No matter who you are or where you come from, the path is a...
I never told a victim story about my imprisonment. Instead, I told a transformation story - about how prison changed my outlook, about how I saw that communication, truth, and trust are at the heart of power.
I hope I'll have the opportunity to debate how we reform and update our immigration system. I will relate my own story and that of the countless immigrants whose American Dream stories have helped build our country into the greatest nation in the wor...
My job is to form the people, the story, the sentences. Every reader will bring their own life and their own history to the story and shape it accordingly. I guess you can say it's like I am sending them a letter.
When reality television really hit, I just had a backlash towards reality. It seemed like a cheap way to make a product. And then when music reality and 'Idol hit,' I just didn't watch it, it seemed novelty. And of course the story of 'Idol,' this is...
Storytelling in general is a communal act. Throughout human history, people would gather around, whether by the fire or at a tavern, and tell stories. One person would chime in, then another, maybe someone would repeat a story they heard already but ...
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events...
I'm trying to create a collection of stories - the 'U.F.O.W.A.V.E.' songs are all stories. I haven't really taken direct lyrical influence from other songwriters, but my dad bought me a book of W.H. Auden's poems when I was younger, and the imagery r...
I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its...
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, con...
'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morali...
In this one book are the two most interesting personalities in the whole world - God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the ...
Truth be told, I hear stories every day that would make you say, 'If you put that in a movie, you wouldn't believe it.' Real life really is kinda incredible; the stories from people's actual lives defy credibility. People's lives are messy, humans ar...
We're talking about, essentially, the Roman historians, who wrote Cleopatra into the story mostly so that they could talk about the rise of Rome. And that is one of the problems, of course, in recounting her life. She's only ever apparent to us when ...
I love stories. When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.
'Anna Karenina' is just a story about a woman falling in love with a bloke who is not her husband. It's gossip, rubbish - on the other hand, it's the deepest story there could be about social transgression, about love, betrayal, duty, children.
Everyone whirled around her, entranced by the stories in which they recognized themselves, but in the stories they were also more than themselves and it always felt at the end fulfilled, not meaningless and empty like life can sometimes feel.
I think the more web video there is, the more press you'll get, as well as all the people who want to tell stories that haven't been told before but can't do that on TV because different stories are a risk.
When we were trying to get 'Jersey Boys' off the ground, I'd get, 'The Four Seasons? Who's going to care? There's the Beatles, there's the Rolling Stones.' But people know those stories. Here was a story no one knew.
We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
When I write fiction, I never try to deliver a message; I just want to tell a story. But I admit that I want the story to be memorable and the characters to touch the reader's heart.
