I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.'
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated ...
Music I heard with you was more than music, and bread I broke with you was more than bread. Now that I am without you, all is desolate; all that was once so beautiful is dead.
Over the years, music put a weapon in my hand and words in my mouth, it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
People are like, 'Wow you started your own record label,' and treat me like I'm some sort of innovative genius, when I'm not at all. You've got the Internet and music - you put them together, and people hear your music.
What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to...
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
People always tell me I'm the complete opposite of Chief Keef and act like I'm supposed to stop him from making his music. But I like Chief Keef, so it's always super awkward. I just make music I like.
I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
When I think of music, I think of music in its totality, complete. From the lowest blues to the highest symphony, you know, so what I'd like to do is exemplify each style of as many periods as I can possibly do.
I've gotten to go to the Opry a couple of times and stand backstage and watch. But I made it a point not to take a tour or stand in the circle until music took me there. I told myself that was one place I'd never go unless music took me there.
The biggest problem is always getting hits. That's the one thing that has never changed. The way of delivering music has changed, the way of listening to it has changed, the way of distributing it has changed, but it's always the music.
The kids that are making the ghetto stuff I can't even reach are the ones that are inspiring me to play music for the other kids in the city they don't even know about. If I don't get those kids making music, there won't be an original kid DJing like...
I have pretty ecumenical tastes. I'm interested in a lot of different kinds of music, so I don't listen with a jaundiced ear to music because it's in a certain category, whether it's country or opera or hip-hop or bebop or whatever it is.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some ...
Yes, but I view Frank's music as fully composed. In other words, the arrangements can work for any idiom such as a rock band or an orchestra. Frank was a brilliant arranger and could make his music work in any context. He proved that tour after tour ...
I met Prince William at a musical festival and he let me know he was a fan of my music. But the invitation to sing at his wedding reception came completely out of the blue. The fact that Kate and William knew the words to my songs was very touching.
I can spend the day without writing or reading, but I can't spend a day without listening to music. I listen to music on a Walkman; it's from the 19th century, I know.
There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into po...
