I've been very fortunate. I've been in theater, films, television, radio, tragedy, comedy, farce - I've been in a musical and in music halls, in pantomime. I was once ringmaster in a circus.
When Merle and I started out we called our music 'traditional plus,' meaning the traditional music of the Appalachian region plus whatever other styles we were in the mood to play.
And obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music.
Although they can do it all the time, you know, they're far better than me, on a musically, on a theoretical music level. You know, they're out of my league.
Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
When I was younger, I had a much better connection between words and music. Somewhere along the way, I had kind of an aspiration to disconnect them, to just kind of go into a totally musical world.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
With Dick Smith there, and the words of Peter Shaffer... they've got to be the most beautiful descriptions in music ever written on film or in literature. And we could hear the music accompanying the words... What more can you ask for?
When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'
For me, music was the only reason I went to school. I was kind of a street kid, in a lot of trouble committing crimes and stuff. Music gave me something to focus on.
I know that people think of me in terms of Latin music and that's wonderful, that's my heritage, that's who I am, but there's so much more to me and my music.
I was going to be a doctor, but I think my music allowed me to help more people than I could have done one-on-one as a psychologist. Just like other people's music really helped me.
Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
The only thing that interests me in music is to be able to reach into the, let's call it, 'collective unconscious' of what is noblest in the human spirit, the way you find in the music of Mozart and Beethoven and Verdi that wonderful quality that not...
Selfishly, I make music for me. I like to make music. I like looking for songs. I like working with interesting musicians. I like producing records. It's something I will always do.
The music for 'The Departed' could have been played by an orchestra, but you make a decision about orchestration based on the context of the film. You want the music to broaden the scope of a film, not just repeat what you're seeing.
I have a music video I was in coming out for M83 for their song 'Claudia Lewis.' It's directed by Bryce Dallas Howard, and I play opposite Lily Collins. It's a pretty edgy intergalactic music video.
Yeah, I know, any time you hear an actor say, 'I do music', you cringe. But I want to be gradual with my music. I want to earn my stripes.
Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
