I feel as if I became a documentary film-maker only because I had writer's block for four decades. There's no other good reason.
The one worry that I always have with TV is that it's such a long commitment. You sign on to be there for a good amount of time, and then you can't go and do films and things like that.
As a Western, 'The Magnificent Seven' was a pretty good film. I don't think it was as interesting or as multi-faceted as 'Seven Samurai.'
I think the people who cast films tend to think of me in regard to strong women with integrity and a lot of it has been very good.
My point was that it's hard to make good films, but I'm not under any illusion that you do all the time.
You can make a really good film for under a million dollars, like 'October Baby,' or under a half million, like 'Hardflip.'
I think for everyone it's good to have your own personal work on a character and a film before you even start rehearsing, to have an inner life.
People will now go to films with subtitles, you know. They're not afraid of them. It's one of the upsides of text-messaging and e-mail. Maybe the only good thing to come of it.
I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.
Films don't hold the answers I'm looking for... Would you not be so much more interested in finding out that Bigfoot existed than in watching a really good movie?
I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good.
The more intelligent the storytelling becomes and the deeper the character development, people will realize in film and television, like they do in real life, that human beings possess both good and bad.
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece.
There's no big splashy renaissance in Italian films. We have good young actors and directors. What we lack are screenwriters. It's hard to write about Italy.
There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.
I just want to make sure I'm contributing good films to movie history rather than being famous just to be famous.
I'm not seeking out genre films, but this just came my way, and Miramax was good enough to add a role for me because we wanted the chance to work together.
The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
The biggest mistake in student films is that they are usually cast so badly, with friends and people the directors know. Actually you can cover a lot of bad direction with good acting.
In my first film, I was a basketball player. Like every good actor, I lied when they asked me if I could play.
I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested.
