Good health and good sense are two great blessings.
Drama is based on the Mistake.
Prom has all the elements of a popular story. It reeks of all-Americanness, tension, drama. It has romance. Pretty dresses. Dancing. Limos. High school. Coming of age.
Don't even try making out I’m making this up. I’ve got proof. Evidence.
I'm sick of this. It's like being twelve again, dealing with all this damned drama.
We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.
I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions.
There's no audience to wonderfully get in your way when you're doing a single-camera anything, whether it's a sitcom or drama or film. And I do mean that in the best way.
I never went to a drama school or anything. I just gave it my best shot, and everyone seemed to like it, so I carried on doing it.
You don't read many scripts, especially for crime dramas, that feature a strong woman as the central character.
Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder.
In my day England, Scotland, Wales had 80 drama schools. There are none left. So there's no training, no discipline.
I always wanted to act. I guess I've always been a bit of a drama queen.
To be honest, I didn't even know what the Drama Desk Awards were until I was nominated.
I don't know if I've had my share of drama, but I've definitely had my share of hard times.
The true excitement comes from the actors - that gives you the true drama - and whatever I can do with the camera, that's icing on the cake.
I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.
I think it's very rare that you see girl friendships on television. It's always cattiness and all that drama.
I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.
I always try to create conflict and drama in my books; it's the engine of the novel.
I think that there's a fine line between comedy and drama.
