I do go through a mini depression because one minute there are people yelling and screaming for me on stage and the next I'm at home and it's dead quiet. So it takes a while to come down.
My morning routine is quite common: I have breakfast at home while reading the newspaper, I take a shower, get dressed, a spray of cologne, and I am ready to go!
Always there has been some terrible evil at home or some monstrous foreign power that was going to gobble us up if we did not blindly rally behind it.
Am I willing to go to Mars? Yes, but I'm not willing to spend nine months getting there, then wait 18 more months until the planets align to come home.
Is it harder having kids and working? It definitely is, but the payoff is you get to go home to your kids, and it all balances out. And I know I'm a better mother when I'm engaged in something outside of the house.
When I finally decided that my only hope was to go to college, I took an acting class, and once I walked onstage, I just knew I was home.
For me, music is so passionate, I have to give it my all every time I go onstage. Onstage, it was always comfortable for me, because that's where I felt at home.
Every time I took a long leave from home, I felt as if I were going to conquer the world. Or rather, take possession of what is my birthright, my inheritance.
I was like little-miss wannabe punk-rocker; I would go home and secretly listen to Pink, and dance around, like, 'Ugh, she understands me so well!'
It's hard not to get a big head in the film industry, there are people on a set paid to cater to your every need, from the minute you arrive until you go home. It's kind of strange, but not unpleasant.
I should like to know what is the proper function of women, if it is not to make reasons for husbands to stay at home, and still stronger reasons for bachelors to go out.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
I'll always have a house in London; I'll always call it my home. There might be moments when I get to go and work in different parts of the world, but I'll always come back here.
The one thing that offends me the most is when I walk by a bank and see ads trying to convince people to take out second mortgages on their home so they can go on vacation. That's approaching evil.
The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
Most people would rather stay home and watch Casablanca for the fourth time or the 10th time on Turner Classic Movies than go see Matrix 12 or whatever the hell the flavor of the month is.
If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.
I always think the second worst thing in the world is to go on stage at night, and the first worst thing in the world is sitting at home at night. For me, it's scarier to not be doing it than doing it.
Then you have to be with somebody who understands your job. Understands there are gonna be dollybirds going, 'Hi I'm Candy,' and be prepared to ignore that. And also be prepared to be there when you get home. That's a difficult job.
I get up, get coffee, and go into my home office. I check email and Twitter before I start work, but I have to try not to get too distracted.
What I tend to do is I try and get as much writing done... I get as much writing done at home before I go into work.
