For me, graffiti means making marks on surfaces using just about anything, be it markers, spray, paint, chalk, lipstick, varnish, ink. Or it can be the result of scratches and incisions. The aim is to maintain the energy created by disturbance or exc...
Now then, let's come right down in here and put some nice big strong arms on these trees. Tree needs an arm too. It'll hold up the weight of the forest. Little bird has to have a place to set there. There he goes...
Mix up a little more shadow color here, then we can put us a little shadow right in there. See how you can move things around? You have unlimited power on this canvas -- can literally, literally move mountains
I find that acrylics dry very fast - which is supposed to be its charm; however, I find that because of that quality they don't blend as nicely as the oils. The oils, for one thing, are softer and more flexible than the acrylics. Also, the colors are...
You can not do what you want to do unless you know the correct technique. The only other way you can learn how to do it is by doing it yourself, which would take twice as long than if you went to school.
I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is.
I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
Someone else's vision will never be as good as your own vision of your self. Live and die with it 'cause in the end it’s all you have. Lose it and you lose yourself and everything else. I should have listened to myself.
Nothing is old, nothing is new, save the light of grace underneath which beats a human heart. The way of feeling, of understanding, of loving; the way of seeing the country, the faces that your father saw, that your mother knew. The rest is chimerica...
A father draws boundaries and calls a halt, whenever necessary. As I didn't have that, I was able to stay childishly naive that much longer - so I did what I liked, because there was nobody stopping me, even when I got it wrong.
These rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes saps the vitality and powers of those who never know whe...
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for ...
But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new.
'Star Wars' came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce.
I get up about four times a night and go back to sleep, or not. Then I swill tea around 8 a.m. I answer e-mail, while I stall thinking about whatever scares me.
I seldom have my stuff up unless I'm testing it. If I'm worrying about a painting, I put it up and see if I detest it quickly or slowly. Otherwise I have things by other artists.
OBVIOUSLY YOU STRIKE OUT AGAINST PEOPLE WITHIN RANGE. IT'S CATHARTIC TO AFFECT SOMEONE WHEN YOU'RE ANGRY. ALTERNATIVELY, CHOOSE ENEMIES IMPOSSIBLY FAR AWAY SO YOU NEVER HAVE TO FIGHT.
