When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
It's a great advantage to be able to play people off against each other, isn't it? You go to Christie's and get a quote on something. And then you go to Phillips' and you tell them what Christie's has given you. I like auctions for artists.
I just feel like I'm the luckiest person in the world being able to do what I love and be able to do it all day every day if I like, you know, I mean it's great, I love it.
I've met and sketched most of the great athletes from the past five decades and their movement, grace and energy have kept me captivated over the years. That's what the ancient Greeks first saw and that's what caught my interest.
There's something always instinctively visually right about nature. There's no difference, to my eye, between looking at a great painting and looking at nature. Because painting, when it's great, has the same immutable rightness, unquestioned rightne...
The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud ...
What might be taken for a precocious genius is the genius of childhood. When the child grows up, it disappears without a trace. It may happen that this boy will become a real painter some day, or even a great painter. But then he will have to begin e...
I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.
I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time.
I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him.
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex.
I guess I get bored easily, and thank God. I don't want to all my life pound only the same key, although some artists do it very effectively. I'm not trying to denigrate anybody.
There are unknown forces in nature; when we give ourselves wholly to her, without reserve, she lends them to us; she shows us these forms, which our watching eyes do not see, which our intelligence does not understand or suspect.
You are the master of your own ship, pal. There are lots of people who fall into troubled waters and don't have the guts or the knowledge or the ability to make it to shore. They have nobody to blame but themselves.
I've been playing piano my whole life, but I'd never tried to understand how compositions are made, really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand.
July 13, 1954 was the most tragic day of my life. I had lost my beloved Frida forever. To late now I realized that the most wonderful part of my life had been my love for Frida.
When I want to render these fine nuances, I do not find them in the subject, but in the nature of women in real life who seek unhealthy emotions and are too stupid even to understand the horror in the most appalling situations.
I go to the studio every day, but I don't paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
Pretty mundane closet, but a lot of ties. And I tend not to throw anything out, so I have a lot of clothes from all times from my life. I can be a little sentimental with things like that.
When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
