Hard-ware store guy: He'll never make it to the Grotto.
Mr. Potato Head: That's *Mister* Potato Head to you, you back stabbing murderer!
Woody: Wait a minute, I just lit a rocket... Rockets explode!
Mr. Potato Head: Son of a building block! It's Woody!
Buzz: Do you know these life forms? Woody: Yes, they're Andy's toys.
Hamm: Yes, sir, we're next month's garage sale fodder for sure.
Sid Phillips: No-one has ever attempted a double bypass brain transplant before.
Anita: Come in, come in! We won't bite you until we know you better.
The biases the media has are much bigger than conservative or liberal. They're about getting ratings, about making money, about doing stories that are easy to cover.
The story of Google is just when everyone concluded that a search engine would never make any money, everyone backed out of it, and Google walked into that vacuum and dominated.
I think a sequel is a waste of money and time. I think movies should illuminate new stories.
It's kind of part of human nature to want to know the truth or want to be in on the secret. For stories that focus in on that - like whodunits - it's easy to get drawn into.
Lessons of wisdom have the most power over us when they capture the heart through the groundwork of a story, which engages the passions.
Women don't have to be defined by others. We have the power to define ourselves: by telling our own stories, in our own words, with our own voices.
I'm not a writer. I think I can write short stories and poetry, but film writing, brilliant film writing, is a talent - you can't just do it like that.
I was never raised with the traditional story of creation in religion, and because of that I think I had a lot of questions. And evolution, the evolutionary narrative, helped provide some of that for me.
I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
And one thing that I always believed and that I knew for certain was that I could never have sustained a personal relationship while I worked this hard, or while I was that driven this intensely by the story.
'Traveling with Pomegranates' is a very personal, very honest story about my relationship with my daughter and Ann's with her mother.
I look forward to beginning a relationship with Al Jazeera America, which has made a commitment to producing quality programming and pursuing underreported stories.
Among the reasons people keep sad stories to themselves is that they do not want anyone to feel sorry for them. I don't. I don't want you to feel sorry for me.
