I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.
People think when you get a record deal all your problems will go away. We know that the bigger we get, the more problems we'll have. I guess Puff Daddy was somewhat - what's the word? - prophetic in that respect.
Goals do not get stored in your voice message or email bin. They are not going to reach out from the world wide web and remind you they exist. As a result, our goals do not get the respect they deserve.
I have done many comedy films. Success of films like 'Partner,' 'Singh is Kinng' gets you to a very wide audience reach. But for greater gains, you need to take greater gambles. If it works, you get respect and recognition.
The depressing thing about battery technology is that it gets better, but it gets better slowly. There are a whole bunch of problems in materials science and chemistry that come in trying to make existing batteries better.
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
It's not about market share. If you have a successful company, you will get your market share. But to get a successful company, what do you have to have? The same metrics of success that your customer does.
The only way you get economic progress, real standards of living moving higher, is to have the savings of the society continuously invested in the cutting-edge technologies. And those technologies which are obsolescent get dropped out.
People don't want other people to get high, because if you get high, you might see the falsity of the fabric of the society we live in.
I got so passionate about technology. Hacking to me was like a video game. It was about getting trophies. I just kept going on and on, despite all the trouble I was getting into, because I was hooked.
I love playing different characters and I love doing fun things and I love to entertain people, whether that be in a comedy or a drama. If I get you to laugh or I get you to cry I'm super stoked, as morbid as that might sound.
It's quite different, the kind of love you get in a smaller club and the kind of love you get on a big proscenium stage. It's quite different. I like both of them, but I'm in love with the smaller, intimate club.
The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
I still love Delhi but get scared of the madness sometime. I know that my fans love me. But it gets a bit tough to handle when, in their excitement, they start touching and poking you to see if you're for real.
I get to go make music, and I get paid to do it, and this is what people love me for. I couldn't ask for anything greater, so how could I not go in the studio and make a million songs?
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
My brother has a tendency to get quite lyrical when he writes music; he gets so romantic, it's borderline. I make it slightly more aggressive. I make the round corner a bit sharper.
There was this mountain village in Russia where my music was getting in on some German radio station. I remember this because music used to get up to Saskatchewan from Texas. Late at night after the local station closed down.
I think if you're going to get anything done in the Senate, you have to be on the same sheet of music. If you don't get people on the same sheet of music it comes out pretty horrible.
My solo music - I get up onstage, I improvise and it's my improvisation. When I get up onstage with Fred Frith and Mike Patton, then we're improvising together. Then it's not my music; it's our music.
The sort of thinking at the time was, 'Well, we're giving you access to medical care which you wouldn't otherwise be able to get, so your payment is that we get to use you in research.'
