[last lines] Jack Walsh: You wouldn't happen to have change of a thousand, would ya? Cab Driver: What are you, a comedian? Get out of here, ya bum! Jack Walsh: Well, looks like I'm walkin'.
Jonathan Mardukas: [making fun of Jack] Jack? "What?" When do you think you we're gonna get to L.A.? "None of your fucking business!" Well, I have to go to the bathroom. "Shut the fuck up!"
Marvin Dorfler: [in handcuffs] Deal, what deal? Why does he get special treatment? Jack Walsh: See you in L.A. Marvin. Marvin Dorfler: Yeah, well watch your cigarettes with this guy, Jack!
Mrs. Mara: Sometimes I wish I married a butcher or a plumber. District Attorney: My dear, if I lose this hearing, you may very well get your wish.
Frank Hackett: Well, the issue is: Shall we kill Howard Beale, or not? I'd like to get some more opinions on that. Diana Christensen: I don't see we have any options, Frank. Let's kill the son-of-a-bitch.
Turk Malloy: Saul, do you get out to Utah much? Saul: Not as often as I'd like. Turk Malloy: Check it out. I think you'd dig Provo. You could do well there. Saul: I'll look into it.
Homer: Man, we should be trying to get into that science fair instead of sitting around here like a bunch of hillbillies. Roy Lee: Well, I got some real sad news for you Homer. We *are* a bunch of hillbillies.
Michael: [reading from "Lady Chatterley's Lover"] Hanna Schmitz: This is disgusting. Where did you get this? Michael: I borrowed it from someone at school. Hanna Schmitz: Well, you should be ashamed. [pauses] Hanna Schmitz: Go on.
Don Lockwood: Well, we movie stars get the glory. I guess we have to take the little heartaches that go with it. People think we lead lives of glamour and romance, but we're really lonely - terribly lonely.
People don't want to serve apprenticeships any more. Kids expect to be paid and treated really well and all that guff before they've achieved anything. It doesn't work like that. You have to spend five or six years being relatively rubbish and put up...
I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big dea...
I get to teach my daughter what I've learned. I don't want her to feel she has to be a certain way to impress society. If she wants to spit or go play some ball, I'll be so proud, because that's who I am, and that's a real person.
You know the question: 'How do you get to Carnegie Hall?' Answer: 'Practise?' Well, in my case, I got there by not practising. I didn't finish my music degree. And when I got into the pop world, I decided not to conform because I figured that the poi...
People tell me if I don't eat vegetables, I'm going to get scurvy. Well, what the hell. But I was never overweight as a player. There was a clause in my contract that said I had to weigh in at 270 every Friday morning. I always made it. I'd have dinn...
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop cal...
John Laroche: Who's gonna play me? Susan Orlean: Well, I've gotta write the book first, John. Then, you know, they get somebody to write the screenplay. John Laroche: Hey, I think I should play me.
Polexia Aphrodisia: Do you have any pot? William Miller: No. I'm a *journalist*. Polexia Aphrodisia: Well, go do your job then. You're on the road, man. It's all happening! Get in there. Go talk to 'em!
[last lines] [theatrical version] Evan: I'm just running a little late. Yeah, I had to finish up with the patients. Well, get the soup or something. All right. Love you, mom. Bye-bye.
Stephen: Fine speech. Now what do we do? William Wallace: Just be yourselves. Hamish: Where are you going? William Wallace: I'm going to pick a fight. Hamish: Well, we didn't get dressed up for nothing.
My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there ...
The blues are intent and watchful. “You’re trying to get me to change my mind, aren't you?” “Lilah, I constantly hope that you are going to change your mind, but I know you well enough to know that you won’t.” I just nod at him.
