Well, the fact that the news industry doesn't have enough money to only send salaried staff to war zones means there is an enormous, wide-open opportunity for young people who want to be on staff and don't know how to get there.
No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.
A film has to be for commercial success as well as earn you respect as an artist. You don't want to do only things that are designed to run commercially, and neither do you want to do things that get acclaim but don't run.
I guess in the independent market, I'd be getting offers, but in terms of big studio films, I still have to audition. I don't think my name is that well-known, I don't have much of a following to guarantee box office success yet.
I think there's a misconception, often times, I think society portrays truckers as people who can't get a better job or maybe uneducated, and I think that's a really unfair assessment.
I think that there should be options available, quite early on, that if someone is recognised as a disruptive child, for them to be trained vocationally. Maybe if those kids were given the option to learn how to contribute to society on a practical l...
Well, my sister played trumpet. Can you imagine having a sister blowing the trumpet around the house, Fred? And my brother, he played piano. Everybody was playing some kind of music, so it was natural for me to get into it.
Some people can get away with being very sexy to men and not looking like a complete cow, but I didn't think I was in a position where people knew me well enough.
Although we hardly see each other off the set, Joy and I get along well when we do. As far as the marriage between Nathan and Haley, I think they are young and will see the reality of the situation eventually.
It's difficult to do a genre film well, and it doesn't matter if you're talking vampire movies or 'Dawn of the Dead' or 'The Thing' or 'Escape From New York.' Those kind of movies, they understand what the old-school B-movie is supposed to be, they g...
Ben Wade: [gets up] Well then! [everyone points their guns at him] Ben Wade: I gotta take a piss.
Diego Delgado: Do you have a dream, George? George: Well, I would if I could get some fucking sleep.
[after Rocco gets his finger shot off] Rocco: Feels like it's still there. Connor: Yeah, well it's not.
Our response has been, 'Well, let's then make an effort to get the Israelis and the Palestinians to sit around the table.' That hasn't happened. So we only have ourselves to blame for this crisis.
The more sects we have the better. They are all getting somebody in (to the Church) that the others could not: and even with the numerous divisions we are all doing tolerably well.
Well, I have been in physical altercations, but they weren't really fights because I am too scared and Jewish. So anytime that it gets to a point where there is gonna be a fight, I immediately apologize.
I think you have to be in an insane stratosphere in terms of fame in order to get offered really well-written scripts. Amanda Peet is definitely not in that group.
To passively get up and play a bunch of old songs wouldn't have really motivated us. So we are bringing the new material into the set and it goes down really well.
You know that something is really well written when you have to think so little about the words that are coming out of your mouth, and you're able to dwell in your own headspace to get there.
Marisa starts to snoop. I might as well too. It's not often that I get to visit a water pellet company in a freaky refugee nation.
Marisa starts to snoop. I might as well too. It's not often that I get to visit a water pellet company in a freaky refugee nation. -from Fireseed One
