Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.
Growing up, when we would get dragged to these events, I didn't want to be there. Over time, as we got older, I developed a real appreciation of the importance of being involved in the democratic process.
In the beginning I had a real work problem. Every time I had job I had to convince the immigration authorities I was the only man for that job and get a special work permit until I went under contract to MGM.
I just - I like the saccharin and the gooeyness of 'Bachelor,' and how just gross and like falsely romantic it is. Whereas, like, the 'Real Housewives' is just raw, and it's just - it's the fights that get me. It's just very uncomfortable for me.
Part of me feels you can't say you were truly in love if it didn't last. If I end up getting married and having kids, that's when I'll know it's real - because it lasted.
I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.
I started cooking when I was about 10. I have memories like when I was 6 or 7 with my mom, and when I was 12 I started getting real serious about cooking.
But to sustain a marriage for 50 years, you have to get real a little bit and find someone who is understanding and who you can grow with. My mom always says, 'Marry the man who loves you a millimeter more.'
One of the things I discover a lot in marriage counseling is the husband or wife trying to get their spiritual thirst quenched by their partner; I think that's a real common mistake that we make.
I enjoy sports. I get a real joy from playing sports but I don't look for those movies. Oliver Stone wanted to know if I would do Any Given Sunday and it just didn't appeal to me.
The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.
I think Clinton fatigue was a real thing. It's just hard to get comfortable with Gore - it was hard for him to project who he is, the person people know in private.
You don't get real reform by pandering to every special interest. With cap and trade we wound up with a bill that didn't accomplish much, was enormously complicated and expensive.
I really think more fledgling novelists - and many current and even established novelists - should get out into the real world and cover local politics, sports, culture, and crime and write it up on deadline.
A wise nation should cultivate a political spirit that allows opponents to cooperate without fearing an automatic execution from their core supporters. Who knew that the real rogues in American politics would be the ones who dare to get along?
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
The roles I was lucky enough to get were real stretches for me: usually a character who was older, or a little weird, or whatever. And it was hard, not just for the lack of work but because you have to face up to how people are looking at you.
I always thought I'd go to university and then get a real job, you know. Now I want to do stuff that really makes me happy. Although I'm still trying to work out what that is. But for me there are always constants.
A lot of people, especially comedians, just feel like, 'Oh, I can be charming and whatever, and have fun, and everybody is just going to like me.' But you've got to work. There's got to be a real work ethic that gets you better.
Told that the passing grade is a B or competence and that we will help you to get there, students do competent work. The lowest passing grade in the real world is competence. Why do schools accept so much less?
If it looks real and feels real, do you think it matters if it's real?
