I've seen a lot of real out-of-line attitudes since I have been in the WWF and those people are still there or are getting a second or third chance or something like that.
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
The real danger of writing a great song when you're on something is that it might get you thinking that the only way to repeat that is by only writing when you're high.
We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.
Good pitchers, after a tough outing, bounce back. Real good pitchers don't let too many poor games get in there.
When you're famous, you don't get to meet people because they want you to like them when the present themselves to you, and you don't see the real people.
You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
It's nice to sometimes get things out of life, rather than stealing from other artists. I'm trying to steal from the real people.
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
Any gifted child can potentially get in real trouble because of the way they are handled.
The true value of a man is not determined by his possession, supposed or real, of Truth, but rather by his sincere exertion to get to the Truth.
It’s strange how dreams get under your skin and give your heart a test for what’s real and what’s imaginary.
You read about somebody, and it doesn't really matter whether or not they really exist - the point is that you get into them like real characters.
It was real Cheyenne. I would get the translations the night before, but it was very difficult because it was not like any other language you would be familiar with.
I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.'
Although I loved working on technology - I've always been a computer geek at heart - my professors encouraged me to get a real-world job working with customers.
'Vagabond' is about owning where I come from, understanding the real power music had to transport myself with, whether that's busking in Europe or getting number ones.
If you get a guy that can play a couple positions, it helps you out a real lot.
What I worry about is that people are losing confidence, losing energy, losing enthusiasm, and there's a real opportunity to get them into work.
I'm following a real event and real people.
Real love is when you don't have to tell each other.
