From each one of them rose separate columns of smoke, meeting in a pall overhead, and through the smoke came stabbing flashes of fire as German shells burst with thudding shocks of sound. This was the front line of battle.
At various points, I've had a massive chip on me shoulder. I had fights about me accent with loads of those fellers you get from third-class public schools. They used to think I was speaking German.
In 1913, the noted German actor and director Paul Wegener was making a film in Prague when he heard the legend of Rabbi Loew, who created a golem to protect the inhabitants of the Prague ghetto from persecution.
Now, if they're there to talk about something specifically, and I determine through my own editorial judgment, that another area isn't germane, or isn't an important part of it, that's something else. But we never agree to anything in advance, absolu...
When I got home from my war, my uncle Dan clapped me on the back, and he bellowed, 'You're a MAN now!' I damn near killed my first German.
The road passed through a curtain of pine forest and came out on a flat, rolling snow field. In this field the sprawled or bunched bodies of Germans lay thick, like some dark shapeless vegetable.
Sweden is a small country, and a Swedish writer can barely make a living as an author. We were able to quit our jobs as journalists only after we had been translated into, among others, German.
My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt ...
I really want to do a film in another language. My dad's from Germany, so it'd be really cool to do a film in German. I'm not quite fluent, but I can get there. And my accent's pretty good. I wouldn't feel too out of my element.
I am imprinted with the whole sense of European history, especially German history, going back to World War I, which really destroyed all the old values and culture. My grandparents had been reasonably well-off but they became quite poor, living in a...
I spent a little time in Germany as a schoolboy learning German, and it's a country I knew very well, spent a lot of time in. I knew the history very well. I've always wanted to do a piece of work about the post-war period, of one sort or another.
The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical ...
It is my great good luck the words I use are English words, which means I live in a very old nation of open borders; a rich, deep, multi-layered, promiscuous universe, infused with Latin, German, French, Greek, Arabic and countless other tongues.
I think that France has not made it clear enough recently to our German friends how important it is to introduce euro bonds as a tool against speculation. And how the necessary budget discipline needs to be accompanied by growth.
The aphorism in which I am the first master among Germans, are the forms of 'eternity'; my ambition is to say in ten sentences what everyone else says in a book - what everyone else does not say in a book.
I thought it was quintessentially American - very hip, very late-'60s. I was absolutely stunned when a German production company asked me if I could do a 'Sesame Street' in Germany. It was absolutely the happiest surprise.
I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.
All the children had to wear a gas mask in case of a gas attack by the Germans. They tried to make the masks like Mickey Mouse faces so the children would like them. But I didn't. They had big ears on them.
Just as the British subject loves England despite her faults, so we must insist that all Germans who were part of the old Germany and helped shape her, recognize the greatness and worthiness of present-day Germany.
A hundred years ago, of course, the question that the German Composers' Co-operative asked itself sounded a lot more fundamental: How do you create a fair share for those who ensure that works can actually be performed at all?
The United States is our most important ally. They helped us many times. Without the United States, the unification or German democratisation after the Nazi period would have been much more complicated, or almost impossible.
