Going to work is probably my favorite thing to do. I do that five days a week for probably ten hours a day, but it doesn't even feel like work and it shouldn't. When you enjoy a job so much like I do, it's not work, it's play.
When not working, I use a lot of treatments; from ancient casero - honey, avocado, stuff like that - other times, I buy ones you leave on for a few minutes. I don't blow dry my hair ever unless for work; I'd rather go for the natural look.
When you're filming, you work 19-hour days and you know more about what's going on with your crew and co-workers than you do with your husband. You're away, you miss things. It's taxing. Relationships fail because of it.
People are composed of many things, and in my work, what influences me is the complexity of people - the chiaroscuro of dark and light. When I play a strong guy, I try to find, where is he weak? And, conversely, when I play a weak guy, where is he st...
'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension...
In my work, I just want to tell a story and help people go on a journey. I'm glad any fans that I do have, and I'm usually not aware of it until I get out there or read a message board. I want to thank everyone who follows my work.
I can't watch most of my work. Once I come on screen, all I can think of is 'What am I doing with my hands?' or 'Why did I lean that way?' or 'What's that look on my face?' It's too difficult to not focus on evaluating my acting.
When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I think most artists find it difficult to part with their work but it's the parting that keeps us alive and keeps us working. In the case of the chariot, although it's been sold I actually still have it, just in another form.
I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really ...
I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interact...
I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need ...
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
When I work on a movie, I never aim for records, collections or the number one position. I always concentrate on my work and look for ways to improve my acting abilities. I also advise my co-stars not to concentrate on these pretty issues and just fo...
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
If directors, actors and writers have the ability to drop their alpha-male egos, you will always get better work. In terms of my own demands, I actually want fewer lines. If I can lose a line and do it with my face, I'd rather do that.
Do you know what directors go through? It's just hell. Like, why do I work so hard - to think I'm only going to see this movie five times and then never see it again 'cause I'm so sick of it? What is it worth, honestly?
All the work that I do, whether or not it ends up being commercially successful or not, feels like the most important thing to me while I'm doing it. I try to take something away from every project, and so they all feel like milestones for one reason...
I try to balance it out on the whole. Being a mum is always the priority. Next, it's taking care of yourself. Right now, I get to only work two days a week - it's a dream. I can't imagine how hard it is for mothers who work 40 hours a week.
Interestingly enough, my more high-profile things are in uniform. But if you look at my full body of work, there's a lot of stuff that's not in uniform. But I do a lot of stuff in the service, and I think that's just how I'm built physically. It just...
