When people are making the decision to put a piece of content online, they really do truly want to get it in front of the largest audience.
I feel like there's a lot of noise in the social space. The Vines and Instagrams of the world are gaining traction, and their solutions are perfect for their communities.
Fashion brands looking for explosive growth go the wholesale route, to get their products into stores, but then they end up relying on those sales.
We find that other employees are very enthusiastic about their fellow crew members who have disabilities-or what they previously thought of as disabilities.
The problem is that with blogging, the model is publish first, maybe fact-check later. In newspapers, the model is you fact check first and then publish. But those models are merging.
There may be some changes in building codes, but I don't see any stylistic departure that you'll be able to attribute to Sept. 11.
One of America's strengths has always been its openness to the new: both new ideas and new people.
I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens.
I don't hate anyone. Sometimes I wish I could interact with the community in a more normal way, though.
When people meet me, and I'm generally pretty sociable, and I meet some definition of normal, they're almost surprised. And simultaneously disappointed.
My mother born in Mexico, but was Lebanese in origin. She born 1902 the same year my father arrived to Mexico when he was 14 years old.
I have asked to have no funeral, and no memorial service. I hate other people's and would certainly not appreciate my own.
I've read hundreds of cookbooks. Most of those cookbooks don't even tell you how to get a steak ready, how to bake biscuits or an apple pie.
I wouldn't be here if it weren't for 'Show Boat.' The kind of theater I chose to be involved in is completely a direct reflection of what 'Show Boat' made possible.
I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
Everything can't be a postage-stamp-sized project. Everything can't be a chamber piece. Musicals aren't even meant to be that, or identified with it... It's none of it simple.
Japan can't get anything on the market very cheaply because it has a large, relatively highly paid workforce which you can't fire.
In the digital world, he who hesitates is abandoned. So you have to generate 3-D excitement with as many devices as you can find.
Sometimes Hollywood is a small town on the West Coast of America at the furthest point from everywhere else, and that can make it a little provincial and insular.
I'm not somebody who is going to build something for a few years, sell it, and then go off and just have fun.
