I've enjoyed my time in the game, whether it be managing Luton in the top flight, taking Spurs to Wembley or, as director of football, pinpointing players such as Jermain Defoe, Paul Robinson and Robbie Keane with real sell-on value.
Marino was inducted into the Pro Football Hall of Fame in 2005, and his name always comes up when the conversation centers on the greatest quarterbacks of all time. But his greatness comes with an asterisk: He never won the Big Game.
As an actor, I was not accepted for the longest time. But it did not deter me, as the audience had accepted me. I never compared myself with any other actors. I never had any game plan and took whatever came my way.
Every time I sit with our general manager at a baseball game, and there's number-cruncher and statistician guy - I'm sitting around - they start talking about stuff, and I say, 'What's that? I've never heard of that one before.'
People talk about retiring. I never said that r-word. People though I went away after the Olympic Games. I took time off to do something I've always wanted to be - a mother.
Any euphemism ceases to be euphemistic after a time and the true meaning begins to show through. It's a losing game, but we keep on trying.
We've got to decide, how much replay do we want? Because if you start doing it from the first inning to the ninth inning, you may have to time the game with a calendar.
I grew up reading a lot of fantasy/sci-fi. It was really all I read - anything from 'Dragonlance,' when I was 12, to 'The Wheel of Time' and Robert Jordan stuff, to George R.R. Martin, who did 'Game of Thrones.'
The Hit Stick is a tremendous invention. It really gave you control as a defensive player because most of the time, 'Madden' is such an offensive game. But the Hit Stick really gave you the opportunity to shine on defense for the first time.
To think that we as a publisher (i.e. people who have never actually MADE a game) can have a realistic impact on a project that a team of experts is slaving away on full time for 2 years is a bit arrogant.
One episode of 'Game of Thrones' is equivalent to my film 'Centurion' in budget and scope. 'Centurion' has a longer running time, but that's kind of the only difference, and I think people now, if they want drama, they watch TV.
When I was a kid, we never had a videogame in my house. But my cousin did, and each time I went to her house I was able to play 'Tetris' and 'Mario.' Those were the only two games I played as a child.
My game is based on improvisation. Often, a forward does not have the time to think too much. You have a second, rarely more, to decide whether to dribble, shoot or pass to the right or left. It is instinct that gives the orders.
Our coaches want to be a part of South Carolina football when they win it for the first time. When they win the division, when they win the SEC, win a major bowl game, etc. The opportunities to do it all for the first time here make it extra special.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
Working with children is a whole other ball game. They're like little animals. You have to keep the camera turned on them all the time. Sometimes it takes a 41-minute take to get one sentence out in a believable way.
There is no room for second place. There is only one place in my game and that is first place. I have finished second twice in my time at Green Bay and I never want to finish second again.
I remember one time being told I could not play in a basketball game at the College of William and Mary because I was black, even though I was playing with a United States Army team.
Luigi: [laughs] Release Jacopo, and give him back his knife. And we'll let the games begin.
James Bond: [Bond has just won Dimitrios's car in a game of poker] Oh, and the valet ticket.
Carl Burnett: Don't let the fact that you won't be able to sit down all summer affect your game