I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
I read every script from beginning to end, and I read every draft that I can. I like the show, I like the character, and I want to protect both of those things.
Rich people in poor places want to show off their wealth. And their less affluent counterparts feel pressure to fake it, at least in public. Nobody wants the stigma of being thought poor.
A lot of consumers actively enjoy advertising, especially fashion print ads and clever TV commercials. The nostalgic cable channel TVLand features not only vintage shows but also vintage commercials.
I am not trying to say that I am poor and that I don't like beautiful things. But I don't like luxury for luxury sake or in the sense of showing off luxury.
My books may highlight corruption, brutality and venality, but they also show that if these things come to light, there is rectification. The voiceless do have a voice; democratic mechanisms and accountability do exist.
SHOW THE WORLD YOUR STRONG COMPASSION! GIVE YOUR VOICE TO VOICELESS KOBANE KIDS!
SHOW THE WORLD YOUR STRONG COMPASSION: GIVE YOUR VOICE TO VOICELESS YAZIDI GIRLS!
I think that Benjamin Franklin felt very strongly in foreign policy in this world, that you needed to at least show some humility, especially when you were strong.
It is not poverty so much as pretense that harasses a ruined man - the struggle between a proud mind and an empty purse - the keeping up of a hollow show that must soon come to an end.
You know, I find it so difficult being a... as a matter of fact, little do people know that most of the leading members of the cast have a background that they would never expect them to have, and play the show they did.
I actually looked at an Apple ad from 1978. It was a print ad. That shows you how ancient it was. And it said, 'Thousands of people have discovered the Apple computer.' Thousands of people.
I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.
Writing books is fun because after I do a show for a couple hours, I'm in a bus for 22 hours. It's not hard for me to look out the window and tell a joke here and there.
I have problems with YouTube and things like that, when you catch it mid production. If I'm doing a show and I'm working on a bit and someone's there with a phone, they record it and put it online - it's not the finished product.
They do not love that do not show their love. The course of true love never did run smooth. Love is a familiar. Love is a devil. There is no evil angel but Love.
Death is ordinary. Behold it, subtract its patterns and lessons from those of the death that weapons bring, and maybe the residue will show what violence is.
Neither Rainer Werner, nor any of us could have succeeded, or produced the number of films that we did, just on our own. We showed our films to each other, discussed them vigorously and rarely agreed.
I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
When you model for a show, you get this real sense of adrenaline. It's difficult when the shoes are so high - that part's quite scary - but you just have to do it.
It was a beautiful, clear Southern California kind of Christmas Eve, the kind where Santa shows up in khaki shorts and a Hawaiian shirt and shades, flashing a peace sign with one hand and sipping a Corona with the other.
